Word: sada
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Dates: during 1950-1959
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...line-readings. Aline MacMahon is aptly warm-hearted as the Countess; and Barbara Barrie's Diana is properly wily yet pure. Hiram Sherman has fun with the Sergeant's mumbo-jumbo; and among other commendable jobs are Jack Bittner's Clown (though his most difficult passage is cut) and Sada Thompson's Widow...
...Mistress Ford) especially does some fresh things with her lines. For instance, when she is leading Falstaff on and tells him, "I fear you love Mistress Page," she raises the last name in pitch and volume as though in summons, whereupon Mistress Page pops into view by mistake. And Sada Thompson adds much to the humor of Mistress Quickly through a command of subtle inflections and timing...
Jacqueline Brookes is fine as Desdemona, "the sweetest innocent that e'er did lift up eye." Her handling of the moments when she is slapped and bewhored by Othello is deeply affecting, and her dying words most touching. Olive Deering does well as the loose Bianca. But Sada Thompson's Emilia is too Desdemona-like; she ought to be sharply contrasted with her mistress--less refined, more common and blunt, at times even vulgar. I suspect the result would have been better if the Misses Thompson and Deering had exchanged roles...