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...irritating thing is that the devisers of this production do not leave Weill enough alone. Arbitrarily, the show has a shipboard setting, and a tedious commentator. Donald Saddler has staged the numbers as if they were supper-club turns. The cast has fine voices, but the collective air of bouncy innocence somehow belies what is worldly, skeptical and melancholy in Weill's mental tone. This is Weill without tears, and it misses the distilled suffering that makes some of his music so affecting...

Author: /time Magazine | Title: The Theater: Beauty in Sound | 10/16/1972 | See Source »

...time and place are not 16th century Messina, but turn-of-the-century America. In both periods, wars can be won with small loss and loves pursued with grand stratagems. Courtship and cozening can unfold while the players dance the maxixe. Antoon and Choreographer Donald Saddler abscond with reality so neatly that one is willing to believe in the characters...

Author: /time Magazine | Title: Theater: Courtship and Cozening | 8/28/1972 | See Source »

Less than 45 minutes later, Quirk was called upon to run in the 1000. Coming off the final turn, Army's Barry Saddler had the lead, followed by the Harvard's Bob Clayton and Quirk. Clayton swung wide off the turn to pass Saddler, and Saddler swung with him. This enabled Quirk to pull up on the inside, and all three approached the finish line together...

Author: By E.j. Dionne, | Title: Thinclads Rout Army, 72-46; Quirk Triumphs in Mile, 1000 | 12/13/1971 | See Source »

...song be composed and learned by the performers, but it must be orchestrated, copied into parts, and rehearsed by the orchestra. Joe Layton, the new director, also took over the job of choreographer, thereby necessitating the removal of all the dancing devised by the show's original choreographer, Donald Saddler. So, Layton had to divide his limited time between rehearsing the actors and the dancers. He also had to wait for the new sets to be designed, built in New York and shipped to Boston...

Author: By Frank Rich, | Title: Doing It 'On the Road' . . . to Broadway, that is | 2/7/1969 | See Source »

Mark Cross looks back to modest beginnings, when an Irish saddler, Henry W. Cross, and his son Mark opened their shop on Boston's Summer Street to sell harnesses and saddles. It later became an exclusive outlet for fine English leather goods, moved to Manhattan to cater to the well-to-do. Though leather has always been the main line, over the years Mark Cross introduced to New York such novelties from the Old World as the Thermos bottle and, during World War I, the wristwatch, which it was first to sell...

Author: /time Magazine | Title: Retailing: Luxuries Going West | 7/28/1967 | See Source »

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