Word: sade
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Dates: during 2000-2009
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This play is also known as “The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade.” We’re not sure what it’s about, but it supposedly involves “a sleepwalker with a knife, a firebrand ex-preacher, four gin-riddled singers, a sexual maniac with a wig, a schizoaffective historical re-enactor, a histrionic man in a bathtub, his mistress, and a Spanish guitar...
...Tsvangirai's focus on a bright, distant future also takes little account of how firmly Zimbabwe - a place of first-generation Toyota Corollas and jukeboxes playing Sade and early Madonna - is stuck in the past. To this day, state newspapers and radio stations lead the news with profiles of ZANU heroes who have been dead for 30 years. Mugabe's men obsessively blame Britain, the old colonial power, for all Zimbabwe's problems today. Mugabe - a man who wears impeccable suits and drinks afternoon tea - is "half African and half British," says his biographer Heidi Holland, "and the two halves...
...diverse set of collaborators - among them Alicia Keys, Branford Marsalis, Peter Gabriel, Mali's Amadou and Mariam, Ziggy Marley, German singer Joy Denalane and Italian Carmen Consoli. Some tracks almost seem designed to explain why they call it world music. Pearls, for example, is a Beninese cover of a Sade original that opens with the guitar and maracas of Carlos Santana, who is then joined by the American balladeer Josh Groban and Kidjo, in duet, singing: "There is a woman in Somalia...
...Cannes regular described Oldboy as a Tarantino movie that Tarantino would be afraid to make. It surely has its quota of Quentinian quirks, including cool bad guys dressed in black, a revenge motif that won't quit, some acts of abuse that would have given de Sade appreciative shivers - and, most important, an expert's joy in expanding and subverting the rules of the genre...
...Cannes regular described Oldboy as a Tarantino movie that Tarantino would be afraid to make. It surely has its quota of Quentinian quirks, including cool bad guys dressed in black, a revenge motif that won't quit, some acts of abuse that would have given de Sade appreciative shivers - and, most important, an expert's joy in expanding and subverting the rules of the genre...