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...guard Italian financiers. To preserve their power - and the value of their investments - they arrange for their firms to control one another through a cozy network of holding companies. Chemical-making Montecatini Edison, Italy's largest private industrial corporation, was long the leading shareholder in both Italpi and Sade-Finanziaria, holding companies that, as it happens, control Montecatini Edison. Italmobiliare is 100% owned by Italcementi, an important shareholder in Bastogi, which in turn owns more than 10% of Italcementi...

Author: /time Magazine | Title: Italy: Hens Nesting on Rocks | 9/19/1969 | See Source »

...forward-looking private investors have sought to pry open the country's long-closed business establishment. Acting through a state-owned investment bank, the government-owned holding companies ENI and IRI quietly bought effective control of Montecatini Edison last October. Once in power, the state agencies ousted both Sade-Finanziaria and Italpi from a syndicate of controlling stockholders because the companies were owned by Montecatini...

Author: /time Magazine | Title: Italy: Hens Nesting on Rocks | 9/19/1969 | See Source »

...thought. Morally and psychologically, it may signal a deeper unease connected with a crisis of values. It also has its political aspects. Sex and politics have always been linked, but the connection can be carried too far ?as was demonstrated for all time by the Marquis de Sade, who was more of a revolutionary than a sensualist, and pushed both roles to madness. Today, many of the young (or would-be young) use sexual display or obscene language quite deliberately as shock weapons of protest against "the Establishment." At the same time, those who are affronted...

Author: /time Magazine | Title: Modern Living: Sex as a Spectator Sport | 7/11/1969 | See Source »

...author discounts any direct influence by a play like Marat-Sade (which he doesn't think is great), though it shared similar concerns and form on the surface. Nor does he agree with Brecht's theory of the theater, though he does use a few Brechtian techniques. He feels much closer to the theatrical ideas of the black theater in New York, and to the political interpretations of Shakespearean plays that Harvard directors like Mayer and Babe have experimented with...

Author: By Aileen Jacobson, | Title: On Art and Politics | 4/30/1969 | See Source »

...self-advancement, money-mania, and social indifference. Their complaints, taken at the aesthetic and philosophical levels, reach us through a different tradition than the complaints of historians, but they are more powerful for that fact, and, indeed, for their stark prescience, seem to need none of their Hegelian or Sade-ian predecessors to be powerful...

Author: By Hal Eskesen, | Title: The Spirit of American History | 3/26/1969 | See Source »

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