Word: sadeness
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Dates: during 1990-1999
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...with your mood. That's what Tracey Moore and Mercedes Martinez have created. The neo-soul singer-songwriters may have a ridiculously unwieldy group name, but their CD is fabulously smooth, good from start to finish. With old-school heart and new-school attitude, they're Roberta Flack plus Sade with a little D'Angelo thrown...
...Sade were cloned twice and the resulting twin sisters were reared in France by members of the Fugees, the women might sound something like the French singing team Les Nubians. Sisters Helene and Celia Faussart have a warm, engaging sound that blends smooth jazz, soft pop and warm R. and B. with a dash of danceable hip-hop. There are an emotional generosity and a spiritual depth on this album that come through on every track...
...years ago when vocalist Cassandra Wilson turned the Monkees' Last Train to Clarksville into a torchy, caramelized ballad nearly worthy of Billie Holiday. Herbie Hancock followed with The New Standard, an entire album of rock-era tunes in which he improvised on changes derived from the Beatles, Sade and Kurt Cobain, among others. Joshua Redman's forthcoming Timeless Tales (for Changing Times) (Warner Bros.) covers similar ground, with songs by Joni Mitchell, Stevie Wonder and the Beatles again; included is a winning, credibly swinging version of Eleanor Rigby--some surprise for those of us who will slowly peel the skin...
...ccasionally, strange figures appear in the Yard, perhaps carrying a jockey hat under one arm, or sporting tight black jodhpur pants and wearing tall shiny boots. No, these mysterious folk are not on their way to a Marquis de Sade costume party: they are members of the Harvard equestrian team. "I always get weird looks when I stride across the Yard in my riding outfit," complains the team's coordinating co-captain Sia Shin `99. "It's a good thing we leave the whips in the barn." Many of these weird looks may be due to the large percent...
...dazzling visuals, including an artificial lake on top of a skyscraper and a chilling shot of Keanu Reeves walking out of a hospital to find all of Manhattan empty. Milton's penthouse exudes an atmosphere of slick, menacing, kinky-campy decadence--it's Hugh Hefner meets the Marquis de Sade. Hackford is smart enough not to let the cinematography get in the way of Pacino: as Milton, the actor is his own special effect. And when the actual special effects--including a wall sculpture that comes to swarming, slithery life--do appear, they pale in comparison to Pacino...