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DIED. Patrick Magee, 58, Irish actor who gave broguish voice to Samuel Beckett's muse (Krapp 's Last Tape and several other Beckett plays were written with him in mind) and a 1966 Tony winner for his Marquis de Sade in the Royal Shakespeare Company's New York City production of Marat/Sade; of a heart attack; in London. Magee supported his stage art by playing film heavies, most recently a Colonel Blimpish Olympic Committee member in 1981's Chariots of Fire...

Author: /time Magazine | Title: Milestones: Aug. 30, 1982 | 8/30/1982 | See Source »

DIED. Peter Weiss, 65, reclusive, German-born playwright who wrote the shocking tour de force, The Persecution and Assassination of Jean Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (1964); of a heart attack; in Stockholm. Tormented by guilt for having escaped the Holocaust and convinced that the modern world had gone mad, Weiss, who was a naturalized Swedish citizen, created polemical works of intense graphic imagery meant to jolt audiences out of their complacency. In Marat/Sade he explored clashing views of society: De Sade's celebration...

Author: /time Magazine | Title: Milestones: May 24, 1982 | 5/24/1982 | See Source »

...basis for Model 3: "remote and imminent death." This is a bold construct in which the beliefs and rituals curbing natural behavior were breached. Sex and death, two of nature's most powerful expressions, were confused; the macabre became eroticized. Ariès illustrates this slippery thesis with Sade's tales of necrophilia...

Author: /time Magazine | Title: Books: Skeletons in the Closet THE HOUR OF OUR DEATH | 3/9/1981 | See Source »

This form has never changed, but the filmmaker's emphasis certainly has. The orgies of violence and destruction so fully depicted in Humanoids and Friday the 13th represent the id unleashed--in ways de Sade would have admired--but the victory of the super-ego also plays upon the viewer's sadistic urges...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/15/1980 | See Source »

This form has never changed, but the filmmaker's emphasis certainly has. The orgies of violence and destruction so fully depicted in Humanoids and Friday the 13th represent the id unleashed--in ways de Sade would have admired--but the victory of the super-ego also plays upon the viewer's sadistic urges...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/10/1980 | See Source »

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