Word: sadism
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Dates: during 1950-1959
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Profit on Property. Chances are only fifty-fifty, Stevens admits, that Property will get the code's approval. It is the story of two switchblade hoodlums and their step-by-step seduction of a sex-starved housewife. Murder (at the bottom of the Stevens swimming pool), sadism, and an uncommonly forgiving husband are all crammed into the script...
They joked about father and Freud, about mother and masochism, about sister and sadism. They delightedly told of airline pilots' throwing out a few passengers to lighten the load, of a graduate school for dope addicts, of parents so loving that they always "got upset if anyone else made me cry." They attacked motherhood, childhood, adulthood, sainthood. And in perhaps a dozen nightclubs across the country-from Manhattan's Den to Chicago's Mr. Kelly's to San Francisco's hungry i-audiences paid stiff prices to soak it up. For the "sick" comedians, life...
...them blisters); women slugged other women cold. Men and women huddled and sometimes made love while wrapped in blankets. "I never did understand the spectators," says June. "They neglected home, children, work. They were drawn to us by the climate of cruelty in the world. Our degradation was entertainment; sadism was sexy; masochism was talent...
...tonsiled Merman voice is always in the winner's circle. Jerome Robbins' dance spoofs are designed to show how funny-awful vaudeville was, and by sheer glut and garishness turn pretty gaudy-awful themselves. A Mermanly try at playing up Mama's spunk and jollifying her sadism fails when the script itself belatedly acknowledges that Mama is a bundle of neuroses and no fun to be with. Sandra Church's Louise is poignant and luminous as she works free of sister's shadow and mother's wing...
...precinct operas and the llama dramas? Says ABC Program Director Thomas W. Moore: "The western is just the neatest and quickest type of escape entertainment, that's all." But few are willing to let it go at that. Parents and professional worriers are concerned about the violence and sadism in the horse opera. Psychoanalysts are looking for sex symbols (all those guns, of course), Oedipal patterns (to kill the wicked sheriff really means to kill Pop), indirect aggressions ("Women are apt to think of their husbands in the villain's role," says one Payne Whitney staffer...