Word: sadistical
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Eisenstein's Ivan (Nikolai Cherkassov) bears little resemblance to the historical figure. According to some historical ac counts, Ivan IV of Russia (1530-84) was a psychopathic sadist who slaughtered thousands of Russians, gleefully assisted at the torture of his enemies, and mur dered his own son in a blind rage. Eisen stein's Ivan is frankly intended to repre sent Stalin, who admired Ivan as the founder of the Russian state, and liked to think he was "terrible" only because he had to be. Eisenstein therefore dutifully whitewashes the brute. But the whitewash is spread so thin...
...defendants. Willion Collinswort, 23; Patrick Scarborough, 20; David Ervin Beagles, 18, and Ollie Stoutamire, 16, made up a sorry lot of delinquents, victims as well as products of their squalid environments. Collinsworth. an illiterate telephone lineman, is a chronic drunk, son of a sadist who beat him habitually throughout his childhood. Scarborough, an Air Force enlisted man, is an orphan whose mother was shot to death in a barroom brawl when he was seven and whose father committed suicide the same year. Stoutamire quit school after the eighth grade, has had a brush with juvenile authorities. Beagles is a high...
Judd Steiner and Artie Straus (fictional names for Nathan Leopold and Richard Loeb) are wealthy, brilliant young law students at the University of Chicago. Straus-Loeb, as portrayed by Bradford Dillman, is the spoiled-rotten son of a socialite mother. At 18, he is already a vicious little sadist. Steiner-Leopold, as Dean Stockwell interprets him, is a motherless young genius whose IQ is too high to be measured by any known intelligence test-essentially a gentle boy who has been completely mesmerized by the animal magnetism of his evil companion. Straus-Loeb is the superman, Steiner-Leopold the "superior...
...girl herself is tormented and driven to drink by the swinish brutality of a man who Vidgren learns too late is none other than the school's "pet sadist," Caligula, who in turn is tormented by an epic inferiority complex, which brings out the classical beast in him. The tragic ending of the affair severs Vidgren's educational umbilical cord and sends him out into the invigorating world alone, happy to be free...
...common Tennessee dirt" (Joanne Woodward). The girl looks like a chippy, and she can drink like a French drain when she's a mind to, but all she really wants is Social Acceptance and A Baby of Her Own. He, on the other hand, is strictly a smalltime sadist whose idea of fun is to kill Japs, and whose ambition is to be the local chief of police...