Word: sadistical
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...couple of typing errors, and the next thing she (Maggie Gyllenhaal) knows, she's bent across the boss's desk, awaiting punishment. He (James Spader) is a sadist who sometimes lacks the courage of his convictions. But that's all right with his employee. She has enough affection for pain and humiliation for both of them. It may not be quite so all right with viewers, though. Writer-director Shainberg seems to be aiming for a dark comedy, but mostly his movie is coy without being funny, ugly without being truly transgressive, stupid when it needs to be smart...
That’s the secret, really. Don’t write out “TIME!!!” in inch-high scrawl—it only brings out the sadist in us. Don’t (Cliffies) write offers to come over and read aloud to us your illegible remarks—we can (officially) read anything, and we may be married. Write on both sides of the page—single bluebook finals look like less work to grade, and win points. This chic, shaded calligraphic script so many are affecting lately is handsome, and is probably...
Even if Harvard wins on Wednesday, the real winner will be the Princeton Tigers, champions of the Lou Gehrig Division. The Tigers could potentially avoid seeing Crockett altogether in the best-of-three Ivy championship series. Unless Walsh decides to play sadist and pitch him on two days’ rest, the earliest Crockett could take the mound would be Game Three on Sunday. And even then, he would be pitching on three days’ rest for the second time in a week...
...martinet among instructors, Erika (Isabelle Huppert) humiliates her pupils and then schemes to help them win competitions. She plays the sexual sadist with her prize student Walter (Benoit Magimel) yet engages in masochistic mutilation on her own. Erika would be quite a handful for any actress, but the great Huppert has a sure grasp on her. In this kinky, often goofy, never less than fascinating psychodrama, she makes sense of a stern, extreme personality. Huppert could be speaking to the audience as well as to Walter when she says, "I want all you want. I have all you need...
...just before they were to be shot (he pulled all-nighters in his room at the Essex House, or sat in a production van, typewriter on his lap, while the actors froze outside), Odets gave flesh to Lehman's figures, then flayed them with the word-knives of a sadist surgeon. Every line parades its cutting cleverness, exposes character in the same harsh light the movie uses to third-degree the actors' faces, and, often, is paraphrased later for a residual kick. (The movie's dialogue structure couldn't be tighter if you poured a quart of scotch down...