Word: sadnesses
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Dates: during 1960-1969
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...Sad Debacle. Still, U.S. air action did little to hamper Red infiltration. Heavy pounding of North Vietnamese roads and bridges has only driven the Communists to sea or else to Cambodia. Over the past month, U.S. jets have been sinking sampans, junks and other vessels at record rates-1,000 in the past month alone. But the biggest prize last week fell to the U.S. Coast Guard, which has been patrolling South Viet Nam's coast since last summer. The Coast Guard cutter Point Grey intercepted a 120-ft., 100-ton freighter-steaming without running lights and laden with...
...sad that TIME has joined the ranks of the hoodlums who throw stones at pacifists. For all your sarcastic and biased reportage of Senator Fulbright's remarks about U.S. power and its use [April 29], you cannot obliterate his candid attempt to counsel Americans on the peaceful possibilities that lie open...
...thing a musician can possibly do after he has acquired a great deal of experience," says Cellist Gregor Piatigorsky, "is to pass it on to younger musicians. So many people are now gone-Kreisler, Toscanini, Rachmaninoff-who never had students. This is a great loss." It is also a sad fact that few celebrated performers have much interest in teaching-and fewer still have any talent for it (Rachmaninoff, for example, was a dour, retiring man, hardly cut out to be the Mr. Chips of the keyboard). Fortunately for a few lucky cellists, however, Piatigorsky, 61, has both the interest...
...sad finish for a man of such vigorous habits, and Lord Moran's critics may be excused their squeamishness at seeing it so clearly documented. But except for his very last days, Churchill had the consolation of memory. "He always goes back to the Boer War when he is in a good humor," wrote Moran. "That was before war degenerated. It was fun galloping about...
...bodies off from the flat, pastry-oval visages of The Artist and His Mother, a memory portrait that bridges from surrealism to the beginnings of abstract expressionism. Klee mimes a four-footed animal in his calligraphic Mask of Fear. Kuhn creates another kind of mask-that of the silent, sad clown-and makes it a vision of man turned into useless performer, while Albright excoriates the self in his wrinkly "And God Created Man in His Own Image." Unrelated by style or influence, each artist nonetheless portrays man in the early Depression years as a desperate creature searching for identity...