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Movie phenomena are supposed to occur once in a blue moon, or a new one. Yet for the past couple of weeks, two films, released the same day, targeting similar demographics, have had folks cheering and sobbing and clogging the plexes. Everyone expected The Twilight Saga: New Moon to be a smash, and it has not disappointed, piling up nearly half a billion dollars in less than a fortnight. But few were prepared for The Blind Side. The movie, made for just $29 million, has flummoxed Hollywood by earning about $105 million. On Thursday and Sunday, it sold more tickets...

Author: /time Magazine | Title: The Blind Side: What's All the Cheering About? | 12/3/2009 | See Source »

Vampires, werewolves and dewy teen girls continued their profitable prowl through the multiplexes, as The Twilight Saga: New Moon was No. 1 for the long holiday weekend. The second film in the Twilight quartet racked up $42.5 million for the usual Friday-to-Sunday frame and $66 million during the five-day Thanksgiving span. The Stephenie Meyer phenomenon has now taken in $230.7 million in North American theaters, according to studio estimates. That makes it, after just 10 days, the sixth highest-grossing movie of 2009. New Moon has amassed even more abroad, $243 million, which suggests it will cross...

Author: /time Magazine | Title: Box Office: New Moon Takes a Hit on The Blind Side | 11/29/2009 | See Source »

...Twilight Saga: New Moon, $42.5 million weekend, $66 million five days; $230.7 million, second week 2. The Blind Side, $40.1 million weekend, $57.5 million five days; $100.3 million, second week 3. 2012, $18 million weekend, $25.6 million five days; $138.8 million, third week 4. Old Dogs, $16.8 million weekend, $24.1 million five days; first week 5. A Christmas Carol, $16 million weekend, $22.6 million five days; $105.4 million, fourth week 6. Ninja Assassin, $13.1 million weekend, $21 million five days; first week 7. Planet 51, $10.2 million weekend, $13.9 million, five days; $28.5 million, second week 8. Precious, $7.1 million...

Author: /time Magazine | Title: Box Office: New Moon Takes a Hit on The Blind Side | 11/29/2009 | See Source »

Michael Kenneth Williams' portrayal of Omar Little, the iconoclastic shotgun-toting stickup artist in the HBO drama The Wire, earned praise from critics, peers and gangsters alike. With David Simon's Baltimore saga wrapped up, Williams has moved to the silver screen, where he has a part in director John Hillcoat's adaption of Cormac McCarthy's postapocalytic novel The Road, in theaters Nov. 25. Next year, he'll build on that with roles in Antoine Fuqua's Brooklyn's Finest and a new HBO series helmed by Martin Scorsese. Williams talked to TIME about his early career...

Author: /time Magazine | Title: Actor Michael Kenneth Williams | 11/25/2009 | See Source »

...bizarre, tortuous saga of the UC Election continues...

Author: By Michelle L. Quach, CRIMSON STAFF WRITER | Title: Follow the UC Election with FlyBy—Live! | 11/23/2009 | See Source »

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