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Word: sagas (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...SAGA OF WESTERN MAN (ABC, 7-8 p.m.). John Secondari and John Huston narrate this story of the wanderings of the Jews from the time of Abraham to the birth of Christ. Repeat...

Author: /time Magazine | Title: Time Listings: Dec. 22, 1967 | 12/22/1967 | See Source »

...pretty good business to be in." So in New Castle, Pa., in 1906, the sons of a Polish immigrant butcher bought themselves a nickelodeon theater and by 1917 were cranking out their own silent films, soon moved to New York and then to Hollywood, where the saga went on until 1956, when they sold their controlling interests in Warner Bros, for $22 million...

Author: /time Magazine | Title: Milestones: Dec. 8, 1967 | 12/8/1967 | See Source »

Playwright Timothy Mayer's saga isn't very pretty. Fisk began as an itinerant peddler, Gould as a dirt farmer: together they built their lives from nothing, built a legend, a part of Americana. Chronicling this tremendous growth, Mayer knowingly reminds us of the incredible amount of destruction involved. We are reminded twice in the third act by references to Sherman's campaign of destruction "from Atlanta to the sea" that Fisk's initial capital was made from war profiteering. The brilliant and terrifying second act finale takes place in a palatial banquet hall overlooking a crowd of thousands...

Author: By Tim Hunter, | Title: Prince Erie | 12/8/1967 | See Source »

...playlet, for example, to a unison drumbeat of feet there is a rapid-fire recital of everything printed on a dollar bill. But the troupe is obviously happiest with horror, since that best expresses its dissent from contemporary society. Its tour de force is a 31-hour Grand Guignol saga called Frankenstein, which begins with eleven people being dragged screaming, pleading or fighting to the stage. There they are gassed, crucified, electrocuted, and garroted...

Author: /time Magazine | Title: Theater: REPERTORY | 12/1/1967 | See Source »

...Black. Von Karajan's Walküre was hardly a love feast for the traditionalist who prefers bombast in Wagner. The five-hour morality saga of human love in conflict with divine power-and of divinity in conflict with itself-has hardly ever sounded so subdued and lyrical. Without the need to outshout torrents of sound from the pit, the singers often performed at little above normal conversational tones...

Author: /time Magazine | Title: Music: OPERA: Conductor Herbert von Karajan | 12/1/1967 | See Source »

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