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Word: sageness (lookup in dictionary) (lookup stats)
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...weekend's big bang came from the Starship Enterprise. Buoyed by enthusiastic reviews, embraced by both Trek illuminati and infidel civilians alike, the new space adventure earned sage nods of commendation for the director who had modernized a middle-age franchise: J.J. Abrams, the TV-drama mogul of Alias, Lost and Fringe and a member of that ultra-exclusive club, the TIME 100. "J.J. Abrams is officially the Lazarus of movie directors," proclaimed box office stats swami Steve Mason - though Abrams' only other retooling, Mission: Impossible III, was the lowest-grossing of that action trio...

Author: /time Magazine | Title: Box Office Weekend: Star Trek Conquers the Universe | 5/10/2009 | See Source »

...longtime collaborator, bassist Tony Garnier.But on “Together Through Life,” production easily outpaces songwriting, as Dylan’s ambition and lyrical wit fade palpably into monotony. His latter-day trilogy was a compelling mixture of urgency and ease, of innovative arrangements and sage-like lyricism. On this album, the studio approach is identical, albeit in the absence of that same inspiration. The presence of accordions and fiddles, or a slightly sharper guitar sound, doesn’t do much to thwart the dominant impression that we’re in distinctly familiar, necessarily more...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Bob Dylan | 5/1/2009 | See Source »

...really great time. The thing that always stands out to me about Seinfeld that I'm just blown away by is he's the most together person I've ever met who has not had a day of therapy. It's staggering because he's so together and very sage. He's a great person to ask advice from, be it personal stuff or career, because he's always right on and he always knows what the right thing to do is ... He's the hardest working of all the comedians I came up with. I remember when we were...

Author: /time Magazine | Title: Q&A: Carol Leifer, Late Bloomer | 4/30/2009 | See Source »

...being surrounded by like-minded colleagues, he was now somewhat isolated. He had been experimenting in new directions before he left the Bauhaus, but his isolation, and freedom from the need to be didactic, may explain the playfulness that breaks out in his work. He carefully mixed colors - sage, sky blue, maroon - and experimented with texture, using controlled paint splatter for a sandy effect. Nothing is still: in Colorful Ensemble (1938) the splatters are a background of dots on which swim strange biomorphs; in Sky Blue (1940) stripy plankton flutter multiple legs while Reciprocal Accord (1942) fizzes and explodes...

Author: /time Magazine | Title: Kandinsky: A Bright Future, Once | 4/27/2009 | See Source »

...Sage advice. FlyBy wishes our roommate would follow...

Author: By Meaghan E Lyons | Title: Swine Flu Comin' At-Choo | 4/27/2009 | See Source »

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