Word: sags
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...Tokyo had now become the enemy themselves. In the Halpern film, only Dalton Trumbo explains the awful terror that came with the subpoena, the process of "getting ready to become nobody." Halpern shows the progressive effect of pressure and time on the writers. They age, dry up, crease and sag--but those with spirit make their physicality irrelevant. The polar two in the film are Trumbo and Edward Dmytryk...
...Long Island, the hard-driven anemometer on the Vanderbilt yacht Vara registered, a windspeed of 91 m.p.h. before it self-destructed. The bell of Sag Harbor's Old Whalers' Church tolled crazily until one last lifting gust, like a petulant child with a toy, tore the steeple completely off its base and dashed it to the ground. In New London, Conn., the element of fire joined the element of wind, raging from 4:30 that afternoon until 11 in the evening. And then there was water-"water, water everywhere," as one witness remembered. By the time the last...
...poles." So says Webster's and so most people believe. Bill Moss has a broader concept. He knows that there are A-frames and O-domes and poly-domes, pup tents and pop tents, Indian tepees and Mongolian yurts, tents for dogs and campers and sheiks, tents that sag and perspire and leak, tents that infuriate. In fact Moss knows so much about the subject that even the Arabs -tent mavens from way back-may soon be living in Moss-designed, tentlike housing...
...times Teddy's spirits sag. He was especially distressed by anonymous allegations that he had been selected for the costly treatment (about $300 a day) because of his father's position. (These allegations were investigated and dismissed by a medical board of the National Institutes of Health, which operates the Bethesda center.) But most of the time Teddy is remarkably chipper. He likes to read mysteries, watches television, has a citizens' band radio and scans the distant skyline of Washington with binoculars from his sealed 13th-floor window. Says Psychiatrist Stephen Hersh: "He's an emotionally...
...supplement the wooden plot are ineffective. Flashbacks to the past lives of the six doomed men are too brief and superficial to seem anything but awkward. Glimpses of the judges' private lives serve only to show how little we know about them. So not only does the narrative sag badly, but the characters never rise above the level of faces in an important crowd. If Costa-Gavras could have involved the audience intimately by showing what happens in the judges' minds to cause their attitudes of collaboration--the events of injustice would have taken on a more human quality...