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...NOTEBOOK: The Crimson's next tilt, Saturday's contest at Boston University, should be a much easier one, though as Chris Sailor reminds us, "it'll be on astroturf." The team will wear tennis sneakers for improved footing...

Author: By Bruce Schoenfeld, SPECIAL TO THE CRIMSON | Title: Stickwomen Set Back in Opener, 3-0, By Nationally Ranked UConn Huskies | 9/18/1980 | See Source »

Just eleven hours before the start of the mission, a sailor accidentally hit a fire control switch, dousing five of the RH-53s with sea water and foam. The aircraft were rinsed with fresh water and inspected. No visible damage was found...

Author: /time Magazine | Title: Nation: Raging Debate over the Desert Raid | 5/12/1980 | See Source »

...social commentary with her jabs at the hypocrisy of the Army hierarchy. Her sure, colorful voice invests the Weill/Brecht songs with an emotional depth that shames the plot's cliches. Casey uses the songs to suggest contradictions in Lil's character that the script brushes over. In the biting "Sailor's Tango"--sung to convert Bill-the evangelist smolders with sexual invitation. She turns the haunting denunciation of love into its tender yet rueful opposite--a declaration of her feelings for Bill in "Surabaya Johnny...

Author: By Susan D. Chira, | Title: Kurt and Bert, Redux | 5/6/1980 | See Source »

Sometimes the author starts the equation: Charles Sailor was one-third through his messianic thriller The Second Son when his money ran out. The author went to MGM and two days later had a deal: $325,000 plus 5% of the producer's gross and a role in the film, plus a $200,000 advance from Avon publishers for paperback rights. "If you come to the studio with something written down, they'll pay more," says Sailor. "They know you could take it elsewhere. It's easier for them when you're selling...

Author: /time Magazine | Title: Books: Running the Film Backward | 3/24/1980 | See Source »

Unfortunately it is not. After a brisk 20 minutes, the movie loses its assurance and sense of purpose. Indeed, Jay Presson Allen's screenplay reels around like a drunken sailor. From moment to moment, Just Tell Me is a somber and confusingly plotted story of corporate power struggles, a syrupy account of a love triangle, and a sloppy satire of show business-rather like Lumet's Network. There are still some bright moments, but they are separated by flaccid, poorly connected scenes that go nowhere at great length...

Author: /time Magazine | Title: Cinema: Cross Talk | 2/25/1980 | See Source »

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