Word: saint
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Dates: during 1920-1929
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Featured at the Pops tonight will be the Ave Maria of Schubert Wilhelm for violin, harp, organ and strings. The complete program follows: Entrance of the Guests into the Wart burg, "Tannhauser" Wagner Evening in Venice Thomas Evening in Venice Dunham Fantasia, "Samson and Delilah" Saint-Saens Suite from "Carnaval" Schumann Preamble Pierrot Chopin Reconnaissance Sphinxes Ave Maria Schubert-Wilhelmj (Solo Violin, Harp, Organ, and Strings) Guitarre Moskovski Irish Rhapsody Herbert Dance of the Hours from "La Gioconda" Ponchielli Humoresque Dvorak Waltz, "Girls of Baden" Komzak
While a ten-year-old boy played on a cornet, they elected a patron saint-Benjamin Franklin-even though the printers and the Saturday Evening Post already have his memory enshrined. Franklin played on the violin and guitar, composed a few conventional songs, and invented a long-obsolete musical instrument, the "armonica."* The musical chambermen found these facts decisive...
...March from "Aida" Verdi Overture, "Jubilee" Weber Fantasia, '"Eugen Onegin" Tchaikovsky Boston Saxophone Orchestra. (Abdon F. Laus, Conductor) a. March from "Tannhauser" Wagner b. Fantasia, "Faust" Gounod c. Carry Me Back to Old Virginny Bland-Laus Rumanian Rhapsody Euesco Dance of the Priestesses of Dagon, from "Samson and Delilah" Saint-Saens Ride of the Valkyries Wagner Boston Saxophone Orchestra a. The Lost Chord Sullivan-Laus b. Hawaiian Waltz, "Kilama Wai-lana" Lua-Kaili c. Indian Love Lyric, "Temple Bells" Finden d. Fast asleep in Poppyland (Chinese Story) Gay Ballet of the Hours, from La Gio-conda" Ponchielli Prelude...
Heywood Broun, who like Saint Simeon, presides over the world from the head of a column-a column which many admire-last week launched an attack against two habitual journalists, Life and Fate...
Biography in dramatic or fictional guise is in itself not a form hitherto unknown. Inevitably the reader thinks of Drink-water's "Abraham Lincoln" and Shaw's "Saint Joan", on one hand and Maurois' "Ariel: The Lfe of Shelley" and E. Barrington's "The Glorious Apollo" (Byron), on the other. Indeed, these reminders serve but to convince him more strongly that in the main classifications of artistic form there is nothing new under the sun. Yet Shaw and Drinkwater are not the innovators of dramatic biography and they have discovered but one of its types. Howard has evolved another. Unlike...