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Word: saint (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...white space, splashier illustrations, and a Collier's-like short-short story. As body type for its stories and articles, the Satevepost replaced its familiar Century Schoolbook type with a lighter version of an old-fashioned design by John Baskerville, great and good friend of Satevepost Patron Saint Benjamin Franklin...

Author: /time Magazine | Title: The Press: New Look for the Satevepost | 10/10/1955 | See Source »

Producers Showcase (Mon. 8 p.m., NBC). Our Town, with Frank Sinatra, Eva Marie Saint, Paul Newman...

Author: /time Magazine | Title: TELEVISION: Program Preview, Sep. 19, 1955 | 9/19/1955 | See Source »

World War I: Enlisted as a cavalry private, he was wounded, later sent to Saint-Cyr, France's West Point. Returned to the trenches with a Moroccan regiment, won his first Croix de Guerre (he now has three, embellished with 17 palms). Fought against the Riffian tribes of Abd el Krim in Morocco in the 1920s, stayed on as a native-affairs officer. Speaks Arabic and the Berber dialects fluently...

Author: /time Magazine | Title: Foreign News: PROCONSUL IN MOROCCO | 9/12/1955 | See Source »

...Papa Saint-Forget would just as soon forget his offspring-they had been taken away from him as infants and designated a "national monument" by the government. To make matters worse, the five, in the old man's view, had all turned out unsatisfactorily. "At their mother's funeral," he fumes, "they appeared, wearing gloves!" Nevertheless, the committee decides to go ahead with the fete, dispatches the boys' godfather to round them up. As portrayed by Fernandel, they are an odd lot indeed...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 5, 1955 | 9/5/1955 | See Source »

Eventually, the quints are reunited with Papa Saint-Forget at the big birthday party, and the film winds up in fine farcical style with an ending that is obvious yet surprising, tickling credulity while taxing it. The film has been subtly directed by Henri Verneuil, handsomely produced by Raoul Ploquin, admirably helped with a good supporting cast. But Fernandel is a Judas goat who leads every minute of Sheep to its zany consummation. With the slightest nuances of his elastic face-a leer, a bucktoothed grin, a cocker-spaniel look of sadness-he proves that...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 5, 1955 | 9/5/1955 | See Source »

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