Word: saint
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Dates: during 1980-1989
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...Without presuming to answer, the author raises a question: Did More die for what he believed or for what he wanted to believe? If indeed'the last enemy for More was not fear but doubt, that makes him no less a hero, and even more of a modern saint. -By Melvin Maddocks
...these actresses may be making a bigger impact off-screen than on. Linda Evans, 41, the striking beauty who plays Krystle Carrington on Dynasty, in particular has become a sort of matron saint for the over-40 crowd. Says she: "I'm thrilled to be able to say to women, 'I'm 41, and I love it. Come along down the road. It's not horrible.' " Adds Dallas' Linda Gray, 44: "I feel grateful that Joan and Linda and I are role models for women in America. We are saying...
...Gaultier may be an iconoclast, but he has a deep and sometimes surprising respect for other designers. One would expect him to "adore" Vivienne Westwood, the earth mother of punk fashion. But Gaultier also "adores" Giorgio Armani and Jean Muir, and speaks with respect of the old master Yves Saint Laurent. He spends about 85% of his time working, and rides the Metro both to commute and to store up ideas...
There is little point, 94 years after his death, in trying to imagine what Van Gogh would have made of all this. Neither the modern mass audience for art, nor the elevation of the artist as a secular saint, nor the undercurrent of faith in the expiratory powers of self-sacrificial genius really existed in 1890. The insoluble paradox of museumgoing, which is that famous art gets blotted out by the size of its public, had not become an issue, and it was not thought "elitist" to express regrets about it. Yet one feels it matters more with Van Gogh...
...first Communion, the priest in his surplice, who looks like a dangerous rhinoceros, the people drinking absinthe, all seem to me creatures from another world." In fact, his stay there began the general pattern of migration southward that would be as obligatory for early modern French artists-Signac to Saint-Tropez, Matisse to Nice, Derain to Collioure-as a stint among the marbles of Rome had been to their 18th century forebears. Provence presented itself as a museum of the prototypes of strong sensation: blazing light, red earth, blue sea, mauve twilight, the flake of gold buried in the black...