Word: saint
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Dates: during 1980-1989
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...Saint Laurent is deeply devoted to his professional "family," which includes Bergé, his partner in private as well as business life; Loulou Klossowski, an associate who is particularly gifted at choosing accessories; and a few longtime assistants. Saint Laurent blames his depression on ambition and precocious success. Before leaving for New York City, he spoke with TIME Correspondent William Blaylock in his Left Bank mansion. "I never had an adolescence," he said. "I became famous right away, and being shy, I found it difficult to get involved with others. Suffering is a necessary part of the creative process...
...That's not the case with Rive Gauche at all," he laments. "I have to work with factories. I give them a sketch and have to wait twelve to 15 days before I see the result. It's total anguish." One of the pressure points of Saint Laurent's calendar is assembling the Rive Gauche costumes just before a show. With Klossowski at his side, he looks at the models. If the girl interests him, he adds the pendants and handkerchiefs to the costume swiftly, murmuring "Superbe"or "Sublime"to himself. If the model leaves him cold...
...Polish Requiem, a work in progress for vocal quartet and chorus that promises to be a major statement, both musically and politically, when it is finished some time next year. And last week in Paris, Seiji Ozawa presided over the world premiere of Olivier Messiaen's first opera, Saint François d'Assise, which is clearly intended to crown the 75-year-old Messiaen's career...
...Devils of Loudun (1969) and Paradise Lost (1978), which the composer has called a Sacra Rappresentazione rather than a conventional opera. Paradise Lost, commissioned by the Lyric Opera of Chicago, was the victim of a turgid production that obscured the work's many beauties. Messiaen's Saint François-which resembles no other work in the operatic literature as much as it resembles Paradise Lost in its static, quasi-oratorio quality- is more fortunate all around...
...extra brass and winds, a large percussion battery and three electronic keyboard instruments called Ondes Martenot. The orchestra is so big that it overflows the pit to envelop both sides of the stage and several boxes. The subject is the spiritual transformation of Francis the man into Francis the saint. "I have chosen Francis," says Messiaen, "because he is the person who most resembles Christ: chaste, humble, poor and bearing the stigmata as a mark of God's approbation...