Word: saint
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Dates: during 1990-1999
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...This summer he will play at the Marlboro chamber music festival in Vermont before performing the Brahms double concerto with the Orchestra of Saint Luke's at the Caramoor Festival, which he describes as a smaller version of Tanglewood...
...road to sainthood, it pays to have connections. A mystic with blood on his hands was scheduled to move a step closer to becoming a saint this week with Pope John Paul II's beatification of the Capuchin friar known as PADRE PIO. The cleric, who died in 1968, is a favorite of the Pontiff's and a cultlike figure to many other Catholics. Last year 7 million pilgrims--more than went to Lourdes--trekked to the remote hillside village of Italy's San Giovanni Rotondo, where he's buried; the village bustles with the construction of hotels...
...Saint Etienne are beautiful. Repeatedly, consistently and achingly beautiful. After brandishing a decidedly pop wand in last year's Good Humor, Pristine chanteuse Sarah Cracknell, understated pop priestess in the vein of Diana Ross, returns with gifted nerd musicians Bob Stanley and Pete Wiggs to make more of that astro-optimistic music for waxing reminiscent over good old days that never were. Here, acutely-attuned sophistication unfurls in a lazy crawl over barely-populated audio-maps of restrained infectiousness. It is an enchanting but ultimately deserted place they take you, inhabited only by a gaseous voice. This is music...
...prepares to enter the next world, Carmen looks back on her life: her masked desires for passion, her resistance to change, her assertions of power in a male-dominated religion and male-dominated world and her constant struggle to find beauty in a harsh and unforgiving terrain. The saints that Carmen addresses have given her solace and guidance through the years, from Saint Liberata, the patron saint of abused women represented as a crucified female martyr, to Saint Theresa of Lisieux, who teaches Carmen to find beauty in adversity...
...becomes too engrossed in writing in a folk tradition and falls into the trap of sentimentality and kitsch. "Corn and trees glow in the sunset, grace manifest May our work enrich the earth. Hear our request/This night and at our death, en paz may we rest," she writes in "Saint Isidore the Farmer." Such passages lose the transcendent quality that should mark them as religious poetry. They are too focused on this earth. More often than not, though, Mora manages to find the right balance between religion and reality, between the glory of the next life and the hardships...