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...Gaultier may be an iconoclast, but he has a deep and sometimes surprising respect for other designers. One would expect him to "adore" Vivienne Westwood, the earth mother of punk fashion. But Gaultier also "adores" Giorgio Armani and Jean Muir, and speaks with respect of the old master Yves Saint Laurent. He spends about 85% of his time working, and rides the Metro both to commute and to store up ideas...

Author: /time Magazine | Title: Living: The New Bad Boys of Fashion | 10/29/1984 | See Source »

...once thought Vincent the Dutchman had been a trifle oversold, from Kirk Douglas gritting his mandibles in the loony bin at Saint-Rémy to Greek zillionaires screwing his cypresses to the stateroom bulkheads of their yachts, you would be wrong. The process never ends. Its latest form is "Van Gogh in Aries," at New York City's Metropolitan Museum. Viewed as a social phenomenon rather than as a group of paintings and drawings, this show epitomizes the Met's leanings to cultural Reaganism: private opulence, public squalor. Weeks of private viewings have...

Author: /time Magazine | Title: Art: The Visionary, Not the Madman | 10/22/1984 | See Source »

There is little point, 94 years after his death, in trying to imagine what Van Gogh would have made of all this. Neither the modern mass audience for art, nor the elevation of the artist as a secular saint, nor the undercurrent of faith in the expiratory powers of self-sacrificial genius really existed in 1890. The insoluble paradox of museumgoing, which is that famous art gets blotted out by the size of its public, had not become an issue, and it was not thought "elitist" to express regrets about it. Yet one feels it matters more with Van Gogh...

Author: /time Magazine | Title: Art: The Visionary, Not the Madman | 10/22/1984 | See Source »

...first Communion, the priest in his surplice, who looks like a dangerous rhinoceros, the people drinking absinthe, all seem to me creatures from another world." In fact, his stay there began the general pattern of migration southward that would be as obligatory for early modern French artists-Signac to Saint-Tropez, Matisse to Nice, Derain to Collioure-as a stint among the marbles of Rome had been to their 18th century forebears. Provence presented itself as a museum of the prototypes of strong sensation: blazing light, red earth, blue sea, mauve twilight, the flake of gold buried in the black...

Author: /time Magazine | Title: Art: The Visionary, Not the Madman | 10/22/1984 | See Source »

...comedian who skittered from Saturday Night Live to films, most recently The Woman in Red; and her co-star in that film, Gene Wilder, 49, frizzy-haired actor, writer and director who specializes in playing jumpy, self-deprecating shlemiels; she for the second time, he for the third; in Saint-Paul-de-Vence, a tiny hilltop village in southern France. The quiet wedding was limited to a few guests. Noted Wilder: "The world is becoming a giant McDonald's stand, and it's nice to find a quiet village, 900 years old, where the only reason people look...

Author: /time Magazine | Title: Milestones: Oct. 1, 1984 | 10/1/1984 | See Source »

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