Word: sakes
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Dates: during 2000-2009
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...underlying tune reminiscent of The Smiths. On “Puppets,” Slug sings from the Beastie Boys’ “Sabotage.” Atmosphere even has a song called “Wild Wild Horses,” for God’s sake (God is Keith Richards, in this case). These allusions confirm that Atmosphere is an ultra-intelligent group, both lyrically and tonally. But do they have the courage to sample something ridiculous like “The Young and the Restless,” à la Mary J. Blige? Well...
...They are aware of A, B, and C. They have no idea if Post-Modern Feminist Approaches to Derivative Trading is a hard course or a gut. Take a lot of guts, and use the extra time to explore extra activities. Do not innocently engage in learning for 'learning sake' --although certainly say you do. Do not take introductory Arabic or Chinese because they sound contemporary and important, especially when most kids in those classes will be native speakers looking for guts. Do not take some super-duper math course because it sounds 'interesting...
...reading it,” Ashoke R. Khanwalkar ’09 said. “It seemed like it was senselessly making light of what is a major issue for many people.” The idea of harming one’s body for the sake of performance art is not unheard of in the art community, according to Carrie Lambert-Beatty, assistant professor of History of Art and Architecture and of Visual and Environmental Studies (VES) at Harvard. “What makes [Shvarts’ project] so provocative is the idea that she was impregnated...
...parents and the crumbling marriage of his ex-babysitter, Annie (Kate Beckinsale, “Underworld”). As Arthur’s parents attempt to reconcile their differences, Annie and her husband Glenn (Sam Rockwell, “Matchstick Men”) struggle to maintain appearances for the sake of their daughter, even as Annie has an affair with her co-worker’s husband. The relationship between Becinsale and Rockwell is striking not only for its violent outbursts but for the way it both humanizes and demonizes them. Rockwell is unnerving in the part of a born...
...life, this sort of philosophizing might seem stale or platitudinous. But those involved in this production have taken great care to make sure every moment of Stoppard’s play comes to life, revealing that beneath what might appear as artifice, it is not simply complex for the sake of being complex. Every performance and every thought-out word come together to create a shifting and uncertain world, split between past and present...