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Were the men outright liars? Or did they reorder the grisly events, as Arlen suggests, for the sake of their sanity? In foreign war, he observes, the pattern has repeated time after time: "And in each case, it seems, a young officer has said: 'Men! Hold your fire!' and an angry heathen has snapped: 'Shoot...

Author: By Richard Shepro, | Title: Murder in the Windy City | 11/16/1973 | See Source »

...likes to pretend he watches life with cynical dispassion from the grandstand, who claims to invite and welcome death, is a role full of traps. It is hard to separate Slade's sodden grandiloquence ("Go, for the love of Christ, you mad tortured bastard, for your own sake!") from Eugene O'Neill's own penchant for overstuffing his dialogue. Ryan does it by animating and underscoring every line, each inflection with a vast, crumbling dignity, a lacerating honesty...

Author: /time Magazine | Title: Cinema: An Eloquent Memorial | 11/12/1973 | See Source »

...stopped capitalizing on grease for grease's sake. Today the group draws crowds for its music not for the gimmickry and novelty of Brylcreme or gold lame. The group's musicians hip and singing abilities are now the basis for Sha Na Na's appeal...

Author: By Peter A. Landry, | Title: Sha Na Na: Revitalizing Revivalists | 11/9/1973 | See Source »

...succession to the presidency until Congress confirms House Minority Leader Gerald R. Ford as Vice President. For many politicians, those would be heady circumstances, but Albert relishes neither role. He wants Ford to be confirmed "as quickly as possible," and he fervently hopes, "for the country's sake," that Nixon will be exonerated. That would free the 26-year veteran of the House to resume his duties as Speaker unencumbered by a constitutional crisis, unthreatened by awesome responsibilities he does not seek...

Author: /time Magazine | Title: PERSONALITY: The Reluctant Dragoon | 11/5/1973 | See Source »

Ferreri follows a straightforward method: He begins with decadence, then pushes it to its extreme. His timing is exact, always cutting away from a scene once depravity is well established, never carrying on for the sake of prurience. Followed properly, this method would shock, never titillate, but the double standards of soft-core pornography weaken The Grande Bouffe. The simulated sex becomes funny in otherwise serious scenes. The film leads from abuse of food to abuse of bodies, but the bodies are less real than the food, so the progression falls flat. A similar problem occurs in suggesting Michel Piccoli...

Author: By Richard Shepro, | Title: Pumping the Stomach | 11/1/1973 | See Source »

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