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...McCarthy, who clearly dislikes Johnson, inclines to believe that he is not, in fact, one of Johnson's favorites. "I never felt that Johnson would choose me for his running-mate for the sake of having me around," McCarthy says, "but only because I might strengthen the ticket. After the Republicans nominated Goldwater, our ticket didn't need any strengthening...

Author: By Gerald M. Rosberg, | Title: Sen. Eugene J. McCarthy | 12/13/1966 | See Source »

...sleeper as the production. One of the lesser-known worlds of a lesser-known playwright, Goat Island is a full-grown tragedy about a woman's search for moral certainty. Unlike other Betti plays, it manages not to get obsessed with the question of justice for its own sake. Betti was both a lawyer and a judge, but in Goat Island he uses the legal metaphor only as a structural device, a means of pushing the play's heroine toward her realization...

Author: By Jim Lardner, | Title: Goat Island | 12/10/1966 | See Source »

Standards for judging a book obscene became hopelessly confused when it was decided in Ginzburg v. U.S. that booksellers and distributors would be prosecuted for selling books that were "commercially exploited for the sake of prurient appeal, to the exclusion of all other values...

Author: By Stephen D. Lerner, | Title: Banned Books | 12/1/1966 | See Source »

...Sake. Opera lore is rife with stories about sopranos whose contracts provide for dressing-room lovers -a stagehand, perhaps, or a house fireman who donates his services for art's sake. Soprano Gemma Bellincioni made no secret of the fact that she made love in her dressing room right before a performance. If she ran overtime-and she often did-her understanding Italian audiences waited patiently. One shapely U.S. lyric soprano was notorious in the 1940s for sabotaging her leading man by seducing him shortly before going onstage; audiences loved her, hated...

Author: /time Magazine | Title: Music: Singing, with Love & Garlic | 11/18/1966 | See Source »

...certain tonal qualities in the speaker's voice. As he listens, he will be able to hear and comprehend what the person is saying even through noise interference. With this in mind, instead of speeding speech to save time, Cramer has developed a process to "delay" it for the sake of intelligibility and comprehension. Through experience, a pilot will hear a sentence on the left, say, slightly before he hears the same thing on the right. The reinforced tonal qualities will enable the pilot to understand instructions despite distracting noises. The delay itself is so miniscule that even an echo...

Author: By Ronnie E. Feuerstein, | Title: Les Cramer and His Super Speech Machine | 11/17/1966 | See Source »

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