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...Vengeance! (NBC, 10-11 p.m.). Drama about the last days of a Sicilian bandit. With Ben Gazzara, Sal Mineo...

Author: /time Magazine | Title: Time Listings: Apr. 14, 1961 | 4/14/1961 | See Source »

...offer-was bolstered by a generally strong cast. But Soprano Price was the undisputed star. Throughout the long evening she demonstrated again her remarkable ability to compel an audience to belief through sheer beauty of tone; from the rage of Act I's Or sal chi I'onore to the tenderness of the second act's Non mi dir, she moved securely and with absolute conviction. Her two great arias stopped the opera cold in two of the most spontaneous ovations of the season...

Author: /time Magazine | Title: Music: Leontyne's Latest | 4/7/1961 | See Source »

...Sal Mineo, star of Walt Disney's motion picture, Tonka, called Harvard CRIMSON editors "idiots" for naming him the worst actor of 1959. Quoted in Variety, he said, "Saying that Tonka, where I played an Indian boy in love with a horse, was the worst performance of the year shows no signs of constructive criticism and shows a lack of intelligence and is just not nice these people are just not nice." He added that he would never buy a newspaper put out by "these idiots...

Author: By Allan Katz, | Title: Hollywood Star Attacks CRIMSON For Award Given by LAMPOON | 1/25/1961 | See Source »

...felling novel-it lasted 80 weeks on the bestseller lists and moved almost 4,000,000 copies-has all the production values expected in an epic: full color, wide screen, 45,000 extras, ten name players (Paul Newman, Eva Marie Saint, Sir Ralph Richardson, Peter Lawford, Lee J. Cobb, Sal Mineo, John Derek, Hugh Griffith, Gregory Ratoff, Felix Aylmer). What's more, it got these advantages at a spectacularly reduced rate. Shot on the cheap in Israel and Cyprus, Exodus cost less than $4,000,000 to put in the can and has already racked up, at reserved-seat...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 19, 1960 | 12/19/1960 | See Source »

...first period of my work." A later period was inspired by Cop land's feeling that the American composer was losing touch with his public. In the late 1930s he began to write his often criticized "popular-style" music, typified by his raucously percussioned, slickly orchestrated El Salón México and by his scores for films (Of Mice and Men), radio (Saga of the Prairie) and ballet (Billy...

Author: /time Magazine | Title: Music: Copland at 60 | 11/21/1960 | See Source »

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