Word: salad
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Dates: during 1960-1969
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...Aparajito (The Unvanquished), tells how he lost his father and left his mother in order to make himself a modern man. Part 3, called Apur Sansar (The World of Apu), begins with a slyly humorous description of how the young man (Soumitra Chatterjee) spends his can't-afford-salad days of bohemian genius in Calcutta's slums. Suddenly one day a college friend carts him off to a country wedding that has an unexpected and fateful conclusion. The bridegroom proves to be insane, and in order to save the bride (Sarmila Tagore*) from the curse that will fall...
...about filmland's Gomorrah atmosphere, its chronic fearfulness. its tendency "to run with the tide." he sits in self-imposed isolation at one end of the long table in Columbia's executive dining room and baits the mighty. At a recent lunch, he noted in a loud, salad-wilting voice that Eddie Fisher would be producing Elizabeth Taylor's next picture for Columbia. Studio Boss Sam Briskin. according to Susskind. spoke up from 20 feet away to defend the arrangement and asked what Susskind thought of it. "It's maniacal." said Susskind smoothly. "The next picture...
...play and tilt it like a kaleidoscope until the characters tumble into new and exciting shapes. Ontario will lead off its season this week with a Byzantine-styled King John, followed by Romeo and Juliet with Julie Harris, and A Midsummer Night's Dream. ¶ Stratford, Conn, is salad-green in years (1955), in its bucolic setting along the sleepy Housatonic River, and in the juvenile cuteness of most of its productions. The 200,000 ticket-queuers anticipated this season must expect only Jello-weight Shakespeare inside the handsome teakwood playhouse emblazoned with British heraldry and flying pennants. This...
...Salad Days. In Los Angeles, Actress Estelita Rodriguez won a divorce from Alfonso Halfss when she testified that he was so stingy that he refused to let her buy cold cream, forced her to use olive oil on her face...
Bordello Opulence. Behind Lapidus' philosophy rests a firm conviction that architecture's age of simplicity is doomed. His hotels are a tossed salad of riotously flamboyant styles that range from borscht-belt baroque to Coney Island modern. With exaggeration that verges on caricature, he splashes his hotels with colorful bordello opulence that offends traditionalists, flabbergasts sophisticates and often delights the uninitiated. Lapidus takes pride in the fact that he gives people "something to gape at.'' In fact, he calls his arced, 565-room Fontainebleau a "tasteful three-ring circus." But the star turn among his hotels...