Word: salatsch
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...fussy and overrich. Loos used lavish materials too, but with a redeeming simplicity. He was a hard-liner about tarting up facades: "Ornament equals crime," he wrote. And though Loos' polemical celebration of yeoman-like unoriginality was a bit disingenuous, his own architecture -- as in the controversial Goldman & Salatsch building -- was indeed relaxed, restrained, simple-seeming...
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