Word: salem
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Dates: during 1950-1959
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...Affairs Council. By no coincidence, he will arrive in Los Angeles as the Western States Republican Conference assembles, and he has left time on his schedule for friendly, probing chats. Next day he will head for San Francisco to address the Press and Union League Club, then on to Salem, Ore. on Nov. 14 for a speech at Willamette University. At trail's end will be Oregon's youthful (37) Governor Mark Hatfield-who dreams...
...Bowman Gray, 52, was named chairman and chief executive of the R. J. Reynolds Tobacco Co. (Camels, Winston Salem), largest U.S. tobacco manufacturer (1958 sales: $1,146,559,000). He succeeds John Clarke Whitaker, 68, who was named to the newly created post of honorary chairman. Gray started as a salesman in 1930, became sales manager in 1952, executive vice president in 1955 and president in 1957. It was during Gray's presidency that Reynolds wrested the lead in U.S. tobacco sales from American Tobacco Co. Succeeding Gray as president is F. G. ("Bill") Carter, 47, former vice president...
Rouleau, however, does far better as a director. In a series of remarkably effective close-up shots he manages to dramatically convey the tension, uncertainty, and fear of the people of Salem. Except for an overly chaotic courtroom scene, the picture is smoothly and intelligently handled. (George Auric's score, incidentally, masterfully underlines the terror of the townspeople...
...pity that the French were the first to attempt an adaptation of Arthur Miller's controversial play The Crucible. The Salem witch trials, conducted in the severe Calvinistic atmosphere of colonial New England, represent an American aberration that Director Raymond Rouleau and his forces do not sufficiently comprehend. The fact that the good people of Salem talk French, and that the town itself is depicted as the type of medieval slum most often found in realist movies throws the entire production almost irretrievably off balance...
...adapted for the movies by Jean-Paul Sartre, the Salem witch trials emerge as a plot by the aristocracy to chastize and control the stiff-necked rabble of the town. Thus, in the movie version, Proctor chooses to die for a cause rather than to preserve his own integrity. This distortion, coupled with an over-simplification of the motives of each character, considerably lessens the dramatic power of Miller's play...