Word: sales
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Dates: during 1960-1969
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...Crossroads Africa, a project sending integrated student groups to Africa each summer to work with Africans on small scale development projects, is sponsoring an African Bazaar from 3-6 p.m. tomorrow at the Unitarian Church in the Square. African sculpture, fabric, music, jewelry, drawings, and photographs will be on sale...
...route to the CRIMSON from the Agassiz Theater opening of White Sale, Timothy Mayer's second original contribution to this year's Cambridge drama season, your recalcitrant reviewer paused a moment in Brattle Square. He has for some time been convinced that there is no shortest path between these two points, that Brattle Square, and perhaps most of the corner we occupy in south-west Cambridge, are located smack in the heart of what science-fiction writers used lovingly to term a "time warp." Four years of this town, of predictable variety and commonplace brilliance, can do that...
Anyone following preparations for White Sale expected several things. The show could be depended upon to prove moving, disturbing, and funny, to weld gaiety to bitterness as easily as it moved from song to spoken word. The reputations and records of Mr. Mayer, his cast and his collaborators, put White Sale under a real obligation. As it turned out, White Sale met this obligation payed it off with interest, and moved on to do what theater seldom anywhere accomplishes, to deliver on its promises as well as its commitments. Particularly, White Sale delivered on the promise of its suggestive subtitle...
...composed by Bradley Burg. In content, it is both the record of a day in Cambridge, from late morning rising til next morning's dawn, and a series of forays into political analysis, artistic exorcism, historical recreation, lyric and comic experiment. Informal in atmosphere, the action of White Sale is remarkable for the case and familiarity with which seemingly disparate ideas, styles, and techniques move together on its stage. These actors, who both take parts in individual sequences and retain strong identities of their own throughout, appear to be good friends. Just so, the recorded voice of William Jennings Bryan...
...must have been one of the issues of the Crimson that I missed that announced the sale (or renting) of the front page of the Harvard Crimson to Robert F. Kennedy '48, for the duration of the campaign season. Surely such a transaction would explain the extraordinary bias the Crimson has shown in the past week...