Word: salesman
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Dates: during 1980-1989
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...sheet-music salesman reels through the Depression with murder on his mind, adultery on his conscience and a song in his heart. A young man walks into an English home to burgle a loveless couple and rape their brain-damaged daughter. An American woman, troubled by fantasies of her lost child, walks out on her philandering oaf of a husband, whom she may have stabbed to death. An aging British novelist pilfers the life of his beautiful niece for the plot of his new book. Another novelist, strapped to a hospital bed with a grotesquely disfiguring skin disease, plots revenge...
...mood suffused Potter's 1978 BBC serial, Pennies from Heaven (in which Bob Hoskins played the music salesman), his 1982 film, Brimstone and Treacle (with Sting as the satanic young man), and the current Track 29 (starring Theresa Russell as the American wife). In October his novel Blackeyes (about the plagiarizing novelist) was published, to acclaim, in the U.S., and last month the BBC aired his new series, Christabel, a domestic drama set in '40s Germany. Masterpiece Theatre will show the series in February...
Alexander Pak, as the obsequious sub-angel responsible for the mix-up, cringes and whines in just enough of an English accent to suggest a salesman at Harrod's in the presence of a gold card. Slippery and oh so discreet, he makes an hilarious foil for Ducey's bull-in-a-chinashop Bostonian...
...influential drama in American literary history? As plausible a candidate as any is The Glass Menagerie. Since Tennessee Williams brought his family confessional to Broadway in 1945, virtually every U.S. dramatist of substance has revealed himself in a guilt-ridden memory play, from Arthur Miller's Death of a Salesman and Eugene O'Neill's long-concealed Long Day's Journey into Night to Lanford Wilson's Lemon Sky and Neil Simon's Broadway Bound. Into those ranks comes Michael Weller. Heretofore best known for Moonchildren and the screenplay of Hair, both valedictories to the '60s, Weller looks back...
Jackie was helped into the white hearse to ride with Kennedy's body to Air Force One. Everything about the scene was small and colorless -- casket salesman, disheveled reporters, unpainted concrete, exhaust fumes, arguing police and security men, traffic grinding by on a freeway...