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DIED. MARTIN BALSAM, 76, actor; in Rome. Born in the Bronx in New York City, the son of a sportswear salesman, Balsam went from the career-minting Actors Studio to live '50s TV to the movies, where he became a star portraying men who would never be stars. He was an uncertain juror in Twelve Angry Men (1957); a doomed detective in Psycho (1960); a Navy doctor utterly at sea in the moral morass of the nuclear age in The Bedford Incident (1965); and a hardworking family man at odds with his unreliable brother in A Thousand Clowns...

Author: /time Magazine | Title: Milestones Feb. 26, 1996 | 2/26/1996 | See Source »

Hopelessly stuck in the past, The Colonial Theatre's production of Arthur Miller's Death of a Salesman will soon attempt to wobble its way onto Broadway. The play's only source of survival is its nostalgic value; its central themes have ceased to resonate in the skeptical American consciousness, and Gerald Freedman's period-piece direction doesn't add anything to the play's relevance...

Author: By Marc R. Talusan, | Title: Where are the Lomans of Yesteryear? | 2/22/1996 | See Source »

...American dream and the working class are still an affecting source of drama; Sam Shepard and David Mamet are proof. But Death of a Salesman, with its focus on idealism, fails to address the core concerns of an increasingly skeptical world that has already learned from Willy's lesson. Idealism is not a universal frailty like Othello's jealousy or Hamlet's indecision, but a transient societal attitude, and one that is not pervasive today. Those who do not agree will probably enjoy the show...

Author: By Marc R. Talusan, | Title: Where are the Lomans of Yesteryear? | 2/22/1996 | See Source »

Despite superb performances from two of the show's main actors, this production of Death of a Salesman depends on an American idealism that is presently in its deathbed. Only the revival of that consciousness can produce a successful revival of the play...

Author: By Marc R. Talusan, | Title: Where are the Lomans of Yesteryear? | 2/22/1996 | See Source »

SHOPPING FOR A USED CAR CAN MAKE the shopper feel as used as the car. The stereotypical sojourn involves a persistent salesman on commission (loud checked sport jacket optional), high-pressure haggling and a persistent anxiety that the buyer was talked into something he or she didn't quite want. Naturally, the heap falls apart in a few weeks, creating a desire for auto...

Author: /time Magazine | Title: NO NEED TO KICK THE TIRES | 2/19/1996 | See Source »

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