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...have received much agreement and encouragement from all sorts of sources, ranging from Salient editors emeriti who have been through similar experiences to a Kenyan student at Tufts," he said...

Author: By Keren E. Rohe, CONTRIBUTING WRITER | Title: Battle Royale: Ethnic Studies vs. The Salient | 3/30/2010 | See Source »

Even amidst the deluge of midterms and papers that are probably on your to-do list right now, we're sure you've heard of the latest controversy regarding ethnic studies and The Harvard Salient. Still, you may be asking, what's going...

Author: By Keren E. Rohe, CONTRIBUTING WRITER | Title: Battle Royale: Ethnic Studies vs. The Salient | 3/30/2010 | See Source »

...March 13, Patrick T. Brennan '11, managing editor of The Salient, published a highly controversial article about ethnic studies. In the article, Brennan condemned the new Ethnic Studies secondary field as tangential to a proper undergraduate education. But in the meantime, his rhetoric-heavy article has ignited passionate debate over meals, House e-mail lists, meetings, and just about any other place at Harvard...

Author: By Keren E. Rohe, CONTRIBUTING WRITER | Title: Battle Royale: Ethnic Studies vs. The Salient | 3/30/2010 | See Source »

Never a stranger to controversy, Harvard’s conservative publication, The Harvard Salient, has once again caused a minor furor on campus. A Mar. 13 feature by Patrick T. Brennan ’11 has many students up in arms about the author’s apparent insensitivity toward certain racial and cultural groups, and dismissal of the ethnic-studies program at Harvard. When evaluating the purpose of a liberal-arts education, we think that fields such as ethnic studies provide critical opportunities for students to expand their views on the world; as such, ethnic studies has every right...

Author: By The Crimson Staff | Title: A Worthy Field | 3/29/2010 | See Source »

...sure, there are unforgettable moments of poignancy in the film that punctuate its bathos. The opening sequence of Ally’s mother’s murder is particularly disturbing and salient; the camera directly looks into the barrel of the murderer’s gun, thereby allowing the spectator to vicariously anticipate the fatal shot. It is terrifying and horrific, ergo a clever and memorable way for Coulter to begin the film. Another heartbreaking shot is the pan across Lauren’s half-severed hair at a birthday party, the consequence of a pernicious schoolgirl prank. This trauma...

Author: By Lillian Yu, CONTRIBUTING WRITER | Title: Remember Me | 3/23/2010 | See Source »

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