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Word: salieri (lookup in dictionary) (lookup stats)
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...most part, the evening belonged to Amadeus, the fictionalized account of the last years of Wolfgang Amadeus Mozart. It won eight awards in all, including those for Best Picture, Best Director (Milos Forman), Best Actor (F. Murray Abraham for his role as Salieri, Mozart's nemesis) and Best Screenplay Adaptation (to Peter Shaffer, who rewrote his hit play). Tom Hulce, 31, also received a Best Actor nomination for his all-American, Huckleberry Finn interpretation of Mozart. Though he was not honored, Jeffrey Jones, 38, deserves a crown of his own for his portrayal of the blandly arrogant Emperor Joseph...

Author: /time Magazine | Title: Show Business: Eight Cheers for the Music Man | 4/8/1985 | See Source »

...long (2 hr. 38 min.), without the epic quality that often marks lengthy pictures. Its theme, moreover, is rarefied: God's inexplicable gift of genius to a lout (Mozart, as Shaffer conceives his character), and his assignment of mediocrity to someone who is eminently deserving (the devout Salieri). But the biggest obstacle is Mozart, whose very name intimidates many moviegoers. The picture has prospered anyway, grossing $34 million in the U.S. and Canada even before the awards...

Author: /time Magazine | Title: Show Business: Eight Cheers for the Music Man | 4/8/1985 | See Source »

...Chess is in U.S. record stores, competing for attention with Lloyd Webber's latest composition, Requiem. In one Tower Records outlet in Manhattan, a captious music fan has written on the Requiem place mark: WATCH OUT, WEBBER--TIM RICE'S MIDDLE NAME IS SALIERI. Rice laughs off the barb; he disclaims any hostility toward his former colleague, even as he stifles persistent rumors of a reunion. "Andrew and I had eight or ten years together that were enormously successful and great fun. But now it's been eight or ten years since we wrote our last show, Evita...

Author: /time Magazine | Title: Show Business: A Hit Show for the Record | 3/18/1985 | See Source »

...academic style and strike out boldly for the terrain charted by the impressionists. "Perhaps I lacked courage," he confides to Irène. "I thought if I'd admitted what was original in others I'd have lost my own little melody." He is like a Salieri who has taught himself, through a lifetime of small disappointments, to accept that he will never be a Mozart. It is not till the end of this Sunday that he realizes the importance of following his own little melody. He puts aside his sofa still life, sets out a fresh blank...

Author: /time Magazine | Title: Cinema: Finding Life in a Little Melody | 12/3/1984 | See Source »

...SALIERI finishes his story, his voice carries the hushed excitement of the insane. In cracked tones, he dubs himself the "patron saint" of mediocrity--mediocre, of course, in all but the complexity of his adoration and hatred for Amadeus...

Author: By Holly A. Idelson, | Title: God's Music From an Obscene Child | 9/22/1984 | See Source »

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