Word: salieri
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...Amadcus Mozart began his musical career at age three. By five, he was famous for his performances on the harpsichord and violin. At 26 he arrived at the court of Emperor Joseph II where he would write his greatest music, and forever change the life of court composer Antonio Salieri. For the decade that Mozart lived in Vienna prior to his death at 36, the two musicians were locked in an unspoken rivalry for the favor of both the monarch and the Viennese public...
...Hulce), once the put-upon prodigy of musical Europe, comes at the age of 26 to the Viennese court of Hapsburg Emperor Joseph II (played with a sly, thin smile and a delicious air of cagey indecisiveness by Jeffrey Jones). There the man of the moment is Antonio Salieri (F. Murray Abraham): court composer, consummate technician and politician, Emperor's favorite, a musical lion of Vienna. Most important, he knows his place, as an educated servant among masters of the blood and the bureaucracy. Mozart, fatally, does...
...Salieri stands to the side during all this, stage-managing Mozart's downfall, then appearing to the fevered young man in his dead father's disguise and commissioning the Requiem. Similarly, the two main actors, chosen from a thousand who auditioned for the roles, must follow different circuits to their roles. Hulce, who may be remembered by movie fans as the prime nerd in National Lampoon's Animal House, must stride on-screen as a fop manqué, pinwheeling his arrogance, before the audience can find the obsession at the core of his genius. Hulce prepared...
Hulce's Mozart bears the familiar Forman trademark. The director always seems to be telling his actors: Go bigger, dare more, fill the biggest moviehouse with your passion and technique. Abraham's challenge as Salieri was more daunting. He must be all smoldering menace, a dandy in smirking repose-until, one day, he scans some scribbled Mozart sheet music, and tears of astonishment and fury course down his cheeks. Says Abraham, who has played in everything from Shakespeare to Scarface to a leotarded leaf in the Fruit of the Loom TV spots: "Salieri is a figure tragic...
...wonders: Can this galloping metaphysical thriller find an audience? For the vast majority of today's moviegoers, the 18th century is far more remote than the sci-fi 25th; Salieri is a loser from Loserville; and Mozart, he's the guy who wrote Elvira Madigan, and his first name is Mostly, isn't it? The film's $18 million budget may be less than is spent on many a teenpic flop, but it still makes Amadeus a ricochet roll of the dice; the film will have to bring in more than $40 million...