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This premature event looks like a real retrospective but is not one. It covers the past seven years of Salle's work and is -- to pinch a term from Jean Baudrillard, the French semiotician whose phrases are parroted everywhere in the art world today and recur like pious ejaculations in...

Author: /time Magazine | Title: Art: Random Bits from the Image Haze | 2/9/1987 | See Source »

Salle, who was eight that year, seems not quite to have absorbed whatever lessons the text offered. Instead, he was destined to become the painter most identified with the big vogue of the early '80s, "appropriation": the copying and scavenging of images and stylistic packages, or even of whole works...

Author: /time Magazine | Title: Art: Random Bits from the Image Haze | 2/9/1987 | See Source »

Not even Salle's most devout fans seem able to say what his pictures are about, for all their literary overtones. They are laden with sexual imagery ) -- Salle's work seems to owe a lot to a brief stint he did as a layout man for the porn magazine Stag...

Author: /time Magazine | Title: Art: Random Bits from the Image Haze | 2/9/1987 | See Source »

In general, Salle's work is just a sourer, more hermetic and manually coarser footnote to a long modernist history of montage and quotation that runs from Dada to Pop art -- random citation from the image haze that envelops us, with some T. and A. for signature. Its "relevance" consists...

Author: /time Magazine | Title: Art: Random Bits from the Image Haze | 2/9/1987 | See Source »

Salle's is formula art of the most obvious kind. Its peculiar smugness comes from the belief that appropriation is the best, even the only way for art to keep its power in a media-soaked environment. "By embracing the intensity of empty value at the core of mass-media...

Author: /time Magazine | Title: Art: Random Bits from the Image Haze | 2/9/1987 | See Source »

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