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Daly wasn't flashy, but he dressed the part. Another Piston player, funnyman John Salley, named him "Daddy Rich," for his snazzy suits. Daly's coiffed hair, and intense stare, will live long in the mind of the millions of fans who fell in love with the '80s NBA, an era of great players (Bird, Magic, Michael, Isaiah, Barkley) and even greater rivalries, most of which involved Daly's Pistons. Sure, Boston-Los Angeles received the top billing, but the Boston-Detroit, Chicago-Detroit, and Los Angeles-Detroit playoff series are all classics. "I think Chuck understood people as well...

Author: /time Magazine | Title: Basketball Legend Chuck Daly (1930-2009) | 5/11/2009 | See Source »

After importing the Zenmaster and his coaching staff from the Bulls as well as Ron Harper and the always humorous John Salley, the Lakers dominated the National Basketball Association this year. Even with Kobe Bryant injured for the first 15 games of the season, an inspired and soon-to-be MVP Shaquille O'Neil finally lived up to his vast potential and carried his team to a league-best 67 wins. Although they drew a dangerous Sacramento King squad in the first round of the playoffs, there was little doubt in most critics' minds that the Lakers would sweep through...

Author: By Barat Samy, CRIMSON STAFF WRITER | Title: The Knicks Can Take the Lakers | 5/4/2000 | See Source »

Concertmaster Salley Koo '97 led the other musicians with her clean and superbly projected performance. Principal clarinetist Michael Rescorla '96 and principal flautist Aimee Gallardo '98 followed suit, each tossing off a note-heavy solo part with flair. Beginning with the Capriccio's first cadenza, principal percussionist Mary Kissel '99 turned heads and made jaws drop with her superhuman ability to sustain a snare drum solo...

Author: By Matthew A. Carter, | Title: HRO Tackles Challenging Program with Striking Results | 3/6/1997 | See Source »

...section, it made many rhythmic demands that the orchestra faced with mixed results. Of the piece's five themes, only two were as compelling as the other music on the program: an angular theme for strings and a long chorale that sounded best in the brass. Once again concertmaster Salley Koo was first-rate in her frequent solos, as were the winds when they inherited the string theme. Though the performance seemed shaky except for a cadenza-heightened, wonderfully careening climax, it was still convincing...

Author: By Matthew A. Carter, | Title: HRO Tackles Challenging Program with Striking Results | 3/6/1997 | See Source »

...chosen the piece to spotlight three student musicians: the division of labor, and the relative simplicity of the solo parts, would make it ideal for students. Indeed, it should have been possible to find a student pianist, cellist and violinist who were more than equal to the task--concertmaster Salley Koo '97, for example, who was outstanding in the Shostakovich symphpony...

Author: NO WRITER ATTRIBUTED | Title: At Sanders, Not Quite Triple the Pleasure | 11/7/1996 | See Source »

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