Word: salmaggi
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Dates: during 1930-1939
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...scores of Aïda and L'Africaine in France and Italy. Some day she meant to return, become the first Negro prima donna to sing in a U. S. opera house. Last week, two days before her 30th birthday, she did so as Caterina Jarboro with Alfredo Salmaggi's Chicago Opera Company in Manhattan's vast Hippodrome. Dusky Harlemites, high and low, turned out to cheer her triumph and theirs...
...darken the stage yet more, give Jarboro dramatic support, Impresario Alfredo Salmaggi got Negro Baritone Jules Bledsoe to sing Amanasro in the second performance of Aïda, said he would later appear with Jarboro in L'Africaine as well...
...money troubles of the Civic Opera Com pany, blamed the high admissions. He and William A. Carroll, who has run hotels and furniture stores in the Midwest, went to New York to put on cheap movies in the giant Hippodrome. This spring they fell in with Alfredo Salmaggi...
...Alfredo Salmaggi is a long-haired Italian who wherever he goes carries a silver-topped cane which belonged to Caruso and loves to tell about the days when he taught Italy's Queen Margherita to play the mandolin. Salmaggi has an Aïda complex. He has given Verdi's spectacular opera in Egypt at the foot of the pyramids, in Mexico City's bull ring, in dozens of open-air stadiums. He uses elephants, camels, horses. The Hippodrome venture started out as an all-Aïda affair. Some 10,000 passes were given...
...Chicago Opera Company, so-named after an Aïda performance Salmaggi put on at Soldier Field last autumn, ends its Hippodrome run this week on the crest of financial success. During the summer Salmaggi intends to put on open-air Aïda in Newark, Boston, Pittsburgh, in the dirigible hangar in Akron. Between times he will hear new singers, rehearse diligently, get new scenery together for the autumn when he will give two months of opera at the Hippodrome. Backers Mayberry and Carroll care nothing about spreading culture (the tin-cup cry of the Metropolitan). But if their...