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...area). Lately, a number of fashion-conscious Los Angeles matrons have been urging their friends to smear it on nightly in order to "close" facial pores and shrink those age-betraying bags under the eyes. "It gives you a dewy look," says Ellen Bennett, who runs a custom wig salon. But Daniel Eastman, a leading Beverly Hills skin-care specialist, protests that it is an "outrageous" fad, and a number of dermatologists back him up. Some doctors explain that Preparation H works on the face by slightly irritating the skin, thus causing enough swelling to minimize small wrinkles; continued...

Author: /time Magazine | Title: Medicine: Capsules, Aug. 11, 1975 | 8/11/1975 | See Source »

...aging literary gents are discovered at wordplay in a womblike Edwardian salon. John Gielgud, the social-climbing guest, is a failed poet and garrulous pub bore. Host Ralph Richardson is a successful but dipsomaniacal belletrist blimp who keeps two menacing servants to guard against just such intrusions. Together these two titled mandarins of the stage are guiding us into Pinter-land, where words struggle to contain the open-ended flux of existence. Our journey through it is brilliantly illuminated by their partnership...

Author: /time Magazine | Title: The Theater: Pinter's New World | 5/19/1975 | See Source »

...shot a pistol with deadly accuracy, George tucks his electric hairdryer into his belt as he jumps on his motorcycle on the way to a home appointment. Like the avenues of another decadent empire, all of the loads in Shampoo's Los Angeles lead to George's beauty salon, where George sets the hair of beautiful women and then takes them home to bed. Moving between salon and bedroom, comb and penis, shampoo and sperm, George is the denizen of a bizarre world whose plastic kaleidoscopic glitter Beatty exploits in his farcical look into the sex scene...

Author: By Michael Massing, | Title: Soggy Suds | 4/10/1975 | See Source »

...youth, the effort to reconcile the truth of outdoor painting with his ambition to make "important pictures" on a Salon scale bore odd results, one of which is Women in the Garden. He set up this vast canvas (over 8 ft. high) in his garden and even had a trench dug to rest it in so that he could paint the top without having to teeter on a stool. Its tonal contrasts between the green gloom of the trees and the crisp white of the girls' dresses in the bleaching sun are a manifesto of early impressionism...

Author: /time Magazine | Title: Art: Fields of Energy | 3/31/1975 | See Source »

About Heroes. One fiction that the show destroys is the lingering idea that revolutions in politics produce revolutionary art styles. The notion that the events of 1789 filled the Salon with blood, grapeshot and equality is a myth. As the catalogue reminds us, "It is generally agreed that the Revolution did not seriously affect the development of French painting." Thus when it came, the successful portraitists-most of whom, like the gifted Adélaïde Labille-Guiard, were women-simply turned from painting the court to recording the features of eminences like Robespierre and Talleyrand...

Author: /time Magazine | Title: Art: Revolutionary Olympus | 3/17/1975 | See Source »

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