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Usage:

...down at strategic intervals (at the temples, around the ears, and down the back of the neck), are separate, curling tendrils of hair. The whole thing may look like the work of a bird who flunked nest building. Yet at $17.50 per neglect-job at Kenneth's Manhattan salon, the elegant lady can-and must-look exactly like a charwoman, or the Char, as the style is also called...

Author: /time Magazine | Title: Modern Living: A Sweet Neglect | 12/5/1969 | See Source »

...London, the name is the Onion, although the look is slightly French-fried. It is the tendrils, insists Stylist Michael of the Michael-John salon, that make the look work. "You have to have softness-a few strands at the sides like those Degas ladies, or you get an effect that is either too Japanese or too much old schoolteacher...

Author: /time Magazine | Title: Modern Living: A Sweet Neglect | 12/5/1969 | See Source »

This is a salon for the whole body?and the whole day. The exercise room, carpeted in gold and orange, has 25 California ladies lying in it, most of them gray and hefty, in variegated pastel tights, slowly moving their limbs through the air in time with an instructress...

Author: /time Magazine | Title: Modern Living: CANDIDE CAMERA: IN SEARCH OF THE SOUL | 11/7/1969 | See Source »

...play taking shape at the Mark Hellinger Theater, Kate plays the Coco of 1953-the Chanel who, at age 70 and after 15 years in retirement, decided to make a comeback by reopening her salon. The plot is as simple as a Chanel suit: Yes, she'll open; No, she won't; Yes, she'll open; No, she won't; Yes, she'll open; Yes, she opens. Her collection is a flop with the Paris fashion world, but not (aha!) with the fresh-eyed buyers from across the Atlantic. Paris may have hated the dresses...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

Designer Cecil Beaton has drawn up only two basic sets: Chanel's salon and her ornate, book-filled apartment above the salon. But they are mechanical marvels that split, spin, break apart and generally transform themselves from the identifiable into the abstract, depending upon the mood of the scene...

Author: /time Magazine | Title: Show Business: The Very Expensive Coco | 11/7/1969 | See Source »

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