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...have been inside the villa describe its furnishings as "early Mussolini-pretty ugly stuff." In the entrance stand a wooden cupboard, a nondescript sofa and a desk manned by a Frenchman who appears to be a security man assigned by the French Communist Party. In the second-floor salon where Madame Binh has her office and receives visitors, the original pictures have been taken down (with the hooks left hanging), and portraits of N.L.F. Leader Nguyen Huu Tho and a young Viet Cong hero executed by the South Vietnamese stare down at a television set, several easy chairs, a chest...

Author: /time Magazine | Title: Diplomacy: The Front in Paris | 12/6/1968 | See Source »

...REPERTORY COMPANY presides over two drawing rooms. In the Louis XIV salon of The Misanthrope, they are at ease with Molière's verse spoof of hypocrisy in higher society. But they appear awkward amidst the English modern of a fashionable London flat, where T. S. Eliot's metaphysical comedy, The Cocktail Party, takes place...

Author: /time Magazine | Title: Television: Nov. 22, 1968 | 11/22/1968 | See Source »

...that he is rich ("Heavens, no!"). Furthermore, the travel, the friendship of the famous, the adoring crowds and the publicity are heady stimulation to someone who is instinctively a performer. "I'm not the kind of person who would want to confine himself to playing in his own salon," Cliburn admits...

Author: /time Magazine | Title: Pianists: The Artist as Culture Hero | 11/22/1968 | See Source »

...Chinese chest that London craftsmen lovingly set on legs of gilded wood. When the stateliness of the baroque era gave way to the studied insouciance of the court of Louis XV, chests took on a kind of portly gentility, as witness the gilt-trimmed rococo commode in Wickes' salon...

Author: /time Magazine | Title: Museums: Mirror of an Era | 10/25/1968 | See Source »

...Armory Show. The gaunt, enigmatic Frenchman proceeded to thumb his nose all the more vigorously at the pantheon of art. He painted a mustache and goatee on a Mona Lisa reproduction, put his own portrait on a perfume bottle, submitted a urinal titled Fountain to a 1917 salon, made reviewers dizzy with swiveling patterns driven by electric motors and designed a foam-rubber breast labeled Please Touch. After ten years, Duchamp's energetic nihilism reached its logical conclusion-he retired from painting. But by then his rejection of everything that had gone before had paved the way for surrealism...

Author: /time Magazine | Title: Milestones: Oct. 11, 1968 | 10/11/1968 | See Source »

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