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...still lifes. These form the basis of his popular reputation in museums around the world. Little in the dour, somber tones of these pictures indicates that Vlaminck first made his mark as a member of the Fauves, the "wild beasts" whose savagely colored canvases so shocked Paris at the Salon d'Automne...

Author: /time Magazine | Title: Painting: Fleeting Fauve | 5/24/1968 | See Source »

...their advance billing as swingers. After they turned down an invitation to the Colonna ball, one of the year's biggest social flings, party-givers shied away from sending invitations for fear of being rejected. While the royal ladies recently ordered 15 gowns from the famed salon of Princess Irene Galitzine, the King has yet to appear in Rome in formal dress. Most of the royal family's social activity has been limited to the King's first love-sports events. Last week he escorted the Queen and Princess to the international horse show at Piazza...

Author: /time Magazine | Title: Greece: Royalty in Exile | 5/17/1968 | See Source »

With Paris couture in the doldrums, the world's most sought-after designer is rapidly becoming Rome's Valentino. At 35 he has an unexcelled roster of customers trooping into his salon at 24 Via Gregoriana, led by Jackie Kennedy, who these days seldom buys from anybody else. More important, he improves with age; each Valentino collection strikes fashion editors as better than the last. When he showed his spring and summer clothes in Rome this winter, he declared them "the best I've ever done" and nobody in attendance would gainsay the king of Rome. Cried...

Author: /time Magazine | Title: Fashion: Valentino the Victorious | 3/29/1968 | See Source »

...They have such beautiful hair, beautiful faces," says German Antoinette de Haass, who teaches dance at an Elizabeth Arden salon in Chicago. "But when they take off their clothing, what do you see? A calamity...

Author: /time Magazine | Title: Essay: DON'T JUST SIT THERE; WALK, JOG, RUN | 2/23/1968 | See Source »

...given to the French impressionists of being the first to paint finished landscapes in the open air. The results were revolutionary. When the Pre-Raphaelite William Holman Hunt's sun-drenched canvas, Strayed Sheep, was displayed in Paris in 1855, French Critic Theophile Gautier wrote: "In the whole salon, there is perhaps no painting that disturbs one's vision as much as this one." Carrying Corn, a harvest scene of almost hallucinatory brightness, was painted out of doors by another Pre-Raphaelite, Ford Madox Brown, in 1854, and the diary he kept reads not a little like...

Author: /time Magazine | Title: Art: A Century of Exception | 1/19/1968 | See Source »

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