Word: salons
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Dates: during 1960-1969
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...would probably have laid the scene in a bare hospital room, and Gros considered just that. But feeling the need tor a more theatrical setting for his hero, he conceived of a Moorish courtyard looking out on the ramparts of the city. When the painting was shown in the Salon of 1804, younger artists wreathed it in laurel...
...Adolfo salon proved such an instant success that Blass was repaid in full in less than a year, and Adolfo settled down to a clientele so devoted, he had almost no need to advertise. Word of mouth, from the right mouths, was enough. "My customers are my public relations," he says. "I don't call them. They call me." It might be Manhattan Socialite Mrs. Joseph A. Meehan, who once dashed in, Adolfo remembers, needing "something amusing to wear to a Mideastern party in Southampton. We put our heads together and came up with harem pants." Or Philadelphia grande...
Adolfo's prices, though higher than ready-made clothes, are considerably lower than couturier fashions. A maxicoat can be had for $325, a blouse for $90. And though Adolfo is fond of calling his salon a club and his regular clients members, he confesses that "Membership in the club is never filled. People who come here simply because they feel it's the thing to do" however, need not apply. "This type of person," Adolfo says, "is immature and indecisive...
...Paris, he began to paint Biblical subjects in Oriental settings. Executed with sinuous vigor of line and a dramatic use of chiaroscuro, these pictures had much in common stylistically with Edouard Vuillard and Art Nouveau. When Daniel in the Lion's Den was shown in the Paris Salon in 1896, the famous French history painter Jean-Leon Gerome insisted that it be given a place of honor. When the Raising of Lazarus was shown in 1897, it was awarded a medal and purchased by the French government for the Luxembourg Gallery...
...opera Robert le Diable, a spooky medieval tale that pits a young knight against the seductive forces of the Devil; about the best that can be said for it is that the knight ultimately triumphs. In an attempt to convey the lacquered elegance of a 19th century Paris salon, chamber music soloists performed in a drawing-room setting. They were surrounded on stage by formally attired Indianapolis socialites seated on sofas and settees about as overstuffed as much of the music...