Word: saloon
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Dates: during 1990-1999
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...undergraduate at the University of Georgia in the early 1980s, he pitched his pack of Marlboro Lights out a car window one day and never bought another. Booze was also a problem, so he went instantly dry during the summer after graduation. Weeks later, sipping soda in a Washington saloon as some pals drank harder stuff, he was seized by a thirst for "deeper spiritual meaning" in his life. Reed chose a church at random from the Yellow Pages, went there the next morning and soon became a born-again charismatic, abandoning the genteel Methodism in which he had been...
...takes the work seriously, but not himself. During the Unforgiven shoot, he regaled the crew with his wicked John Wayne impersonation. When Gene Hackman kicked the hell out of him in their first saloon encounter, the script called for Hackman to stride over to the bar and pour a drink. From his position on the floor, where he was miming grievous hurt, Eastwood didn't call cut. Instead he groaned, "Pour one of those...
...America people go to bars for a drink. In Japan they can now go to a bar for enlightenment. A new saloon has opened in Osaka featuring friendly conversation over a glass of sake with an on-premises Buddhist priest. Patronage has been steady, with discussion topics ranging from personal problems to Japanese political scandals. The bar is the brainchild of an ex- bar owner named Manabu Yoshida and Fumihiko Kiyoshi, a Buddhist priest whose sect emphasizes preaching. The two bill their venture as "a temple that is in harmony with...
...time in bed with large, scruffy rats. The vermin abound too in RIFF-RAFF, a rambling comedy from director Ken Loach. Stevie (Robert Carlyle), an ex-con finding construction work in London, falls in love with a pretty girleen (Emer McCourt) who wants to be a saloon singer. If this sounds like the plot of The Crying Game, don't blame scripter Bill Jesse; Riff-Raff was made a year before Neil Jordan's gender bender. Loach's film is a hymn to blue-collar, multiracial mateyness, and you needn't plow through the thickly accented dialogue (subtitled for American...
...FORGET, FOR A MOMENT, THE NOTORIETY of SINEAD O'CONNOR. Imagine that the truculent Irish skinhead is a timid thrush at the back of a noisy saloon, addressing with a quavering intimacy pop standards associated with Billie Holiday (Gloomy Sunday), Peggy Lee (Why Don't You Do Right?), Sarah Vaughan (Black Coffee), even Doris Day (Secret Love). And she's not bad. O'Connor can exasperate on her new album, Am I Not Your Girl? -- she wails this phrase 26 times in one song and closes the set with a dark harangue against the Roman Catholic clergy. But these assaults...