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...circus and modern theatrical sorcery - have wished that the clowns would be sent out, and the Mime Safety Board called in. Over the years, in seeming response to public disfavor, the Cirque brass has severely reduced the time given to clowns. They were prominent in early traveling shows like Saltimbanco and Alegria, then mere supporting players in Cirque's Las Vegas extravaganzas: the water show O, the martial-arts epic Ka and the Beatles tribute Love. The evolution was part of the company's goal of always reinventing itself, and avoiding the corporate complacency that would turn Cirque du Soleil...

Author: /time Magazine | Title: Cirque du Soleil's Clowning Kooza | 4/25/2009 | See Source »

...times a week, compared to a Broadway musical's eight. The show could well take its place in the Cirque empire: five permanent shows in Vegas, another (La Nouba) at Walt Disney World in Florida, and six tent shows, from the new Corteo to the 14-year-old Saltimbanco. These enterprises are hugely successful; their total annual box office revenue is close to the $840 million earned by all Broadway shows this season...

Author: /time Magazine | Title: The Beatles Come Together | 6/30/2006 | See Source »

Quidam tours California for the next year before heading to Denver, Dallas, Houston, New York City, Chicago and Atlanta. More buoyant than the 1994 Alegria, less self-consciously surreal than the '92 Saltimbanco, Quidam is prime, mature Cirque. It is beyond circus, beyond theater; it makes the incredible visible...

Author: /time Magazine | Title: THEATER: FORGIVE THE MIMES | 10/14/1996 | See Source »

...that it becomes mere spectacle. "We always keep contact with the public," he says. "This is our source. We want the public to cross through the wall and be an actor in the event. It makes us feel as if we are not God; we're human, we are Saltimbanco -- a street player, here tonight to share this big joke, our show...

Author: /time Magazine | Title: SHOW BUSINESS: Voila! Cirque du Soleil | 10/3/1994 | See Source »

There are moments during Cirque du Soleil's "Saltimbanco" when the high-tech glitz of the production threatens to swallow the charm of this genuinely talented troop. "Saltimbanco" comes equipped with a live New Age band, a light show and a smoke machine that won't quit. This accumulated wattage makes some of the stagier numbers feel more like the latest Andrew Lloyd Webber extravaganza than the quirky, stylish acts for which Cirque du Soleil has won praise...

Author: By David S. Kurnick, | Title: Cirque du Soleil Offers A Vision of a Better Bigtop | 9/30/1993 | See Source »

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