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...even worse case of this indiscriminate satire occurs at the climax of the book, when Helena has a vision of where the Cross is hidden in Jerusalem. If the book and the story are to have any meaning, this should be a moving scene. But no. The Empress Helena, Salut Helena, is led to the Cross by an incense merchant who speaks like this: I'm in incense, see. There's no finer connection. All the leading shrines are on my book. They know I handle the right stuff. Buy it myself in Arabls, ship it myself. Besides, they...

Author: By John R. W. small, | Title: Satire Gone to Seed | 11/16/1950 | See Source »

...Gare d'Orsay reception center, a bas-relief of women with arms flung wide illustrates the legend Salut les copains (Welcome, Pals). Under a so-foot-high triumphal arch of crossed Allied flags are other bas-reliefs, each with a two-word legend illustrating the new-found (and realistically French) freedoms; the second word in each case is librement (freely) and the verbs are: jouer, travailler, parler, aimer, dormir, manger, boire and respirer (play, work, speak, love, sleep, eat, drink and breathe...

Author: /time Magazine | Title: Foreign News: Back from Bondage | 4/23/1945 | See Source »

...life for which the Cistercians (of which the Trappists are a part) have been famous since the Order was founded in 11th Century France. The Georgia brothers will raise Holstein cattle, pigs, poultry, grains, vegetables. They also hope to pro duce the Kentucky abbey's famed Port du Salut cheese...

Author: /time Magazine | Title: Religion: Georgia's Trappists | 4/3/1944 | See Source »

...drew with a greasy lithographer's crayon, on paper. Full of movement, their swirling designs bursting with life, Daniel's drawings would probably have pleased Walt Whitman. The bearded poet appeared in some of the pictures, striding along, flying through the air, loafing and inviting his soul. Salut au Monde! (see cut) showed him crying...

Author: /time Magazine | Title: Art: Whitman Illustrated | 9/16/1940 | See Source »

...Garden, this was apparently meant to show Sculpture for the Home. Sculptor William Zorach's Youth won a great deal of admiration for its clean-cut and subtle modeling; Robert Cronbach's well-constructed little group Industry, and Warren Wheelock's exuberant figure of Walt Whitman, Salut an Monde (see cut), showed a new ease with planes and masses. Both made art critics wish for their enlargement to a less inti mate scale, and Wheelock's conception of Old Brooklynite Whitman stirred up local talk of monumentalizing the poet. In Manhattan, meanwhile. Justin Sturm, famed...

Author: /time Magazine | Title: Art: Sculpture for the Home | 11/7/1938 | See Source »

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