Word: salvadors
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Coed bands are creating some of the most interesting music around. Frente!'s debut, Marvin the Album, offers up incongruously ear-caressing melodies on harsh subjects ranging from El Salvador to manic depression. Hole's Live Through This features primal guitar riffs and high-IQ lyrics by Courtney Love (rocker Kurt Cobain's widow). Arrested Development's brand-new CD, Zingalamaduni, is smart, political hip-hop (one song deals with abortion). Says lead rapper Speech: "It's important to get men and women expressing themselves about issues together." Steve Yegelwel of Atlantic/Seed Records, a label with several coed bands, says...
...mythomaniac autobiography, The Secret Life of Salvador Dali, he took pains to spin out a fiction of his early originality. He wanted people to think he'd been found like Moses in the bulrushes, a miracle child: Salvador, Saviour. In part this did correspond to the truth. As Ian Gibson's fascinating catalog essay on Dali's early life makes clear, little Salvador was a horribly spoiled brat. Cosseted, deferred to, aware that a tantrum could get him anything he wanted, he grew up with serious delusions of creative omnipotence -- which, as time went by, coexisted with equally serious problems...
...painter a worse embarrassment than Salvador Dali? Not even Andy Warhol. Long before his physical death in 1989, old Avida Dollars -- Andre Breton's anagram of his name -- had collapsed into wretched exhibitionism. Genius, Shocker, Lip-Topiarist: though he once turned down an American businessman's proposal to open a string of what would be called Dalicatessens, there was little else he refused to endorse, from chocolates to perfumes. He was surrounded by fakes and crooks and married to one of the greediest harpies in Europe: Gala, who made him the indentured servant of his lost talent even...
...what of Dali's own clockwork? What wound him up? This is the theme of "Salvador Dali: The Early Years," an exhibition opening this week at New York City's Metropolitan Museum of Art. The curators, Ana Beristain and Dawn Ades, have brought together a mass of Dali's juvenilia, starting at age 12; the show ends in 1929, with Dali in Paris, moving through storms of controversy, the 25-year-old darling of both Left and Right Banks. By rights this show ought to contain the "classics" of Dali's early achievement -- paintings from 1929 like The Lugubrious Game...
...exhibition traces Salvador Dali's precocious progress from age 12 to 25, as he tried on style after style...