Word: salzburger
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House on the Hill. Germany is scheduling dozens of outdoor drama and music festivals, from the elaborate medieval pageantry at little Landshut in late June to September's Festival of Berlin, for which orchestras, ballet troupes and theater companies will assemble from all over Europe. Salzburg's festival in honor of Mozart's 200th birthday will be one of the musical highlights of the year. Prices are moderate: from $3 to $5 for a good dinner, $10 for a first-class double room with bath...
...native Salzburg, a town that never favored Mozart's music while he lived-and which he could not abide either-spent the day in commemorative folderol, and Austria plans a whole year of Mozartish festivities. Salzburg's musical coup last week: a rare performance of his opera La Finta Semplice, composed when Mozart was too young (12) to understand its labyrinthine plot or its Italian words. Chancellor Julius Raab pledged that his country would never let another promising Austrian musician starve...
Kissable Age. Father Leopold Mozart was a musician-a violinist and court composer to the Archbishop of Salzburg. Even so, he thought it precocious that "Wolferl" at the age of three should "bawl with disappointment" when his small fingers struck a discord on the clavier. At four, Wolferl scribbled down his first clavier concerto; at five, before he had had a single violin lesson, he played second fiddle in a trio. "One need not have learnt in order to play second fiddle," he informed the grownups...
Once Mozart grew past the cute, kissable age, nobody paid any attention to him. The charming prodigy turned into a "pale, silent, colorless young man." Briefly under the patronage of Salzburg's archbishop, he ate with the servants; when he protested that he was not allowed to perform his music, he was thrown out bodily. His great love, Singer Aloysia Weber, preferred to marry a nonentity. "I did not know, you see," poor Aloysia would later mumble in her old age. "I only thought he was such a little...
...city of Salzburg was aglow last summer with a magnificent production of Mozart's Magic Flute. To help usher in the Mozart year with style, the Austrians commissioned Oskar Kokoschka to design sets for the opera. The sets were a great success, and so was an extensive exhibit of Kokoschka's work at the Residenz Museum. Seventy year old Kokoschka was as bold as ever and from the looks of the large dramatic canvasses, sprawling with jotted forms and gushing color, gayer than usual. There was still a message but Kokoschka was definitely concentrating less on ideology and more...