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...Salzburg Seminar program has received an unexpected five-year grant totalling $125,000 from the Ford Foundation, Dexter Perkins '09, president of the Seminar, announced yesterday...

Author: NO WRITER ATTRIBUTED | Title: Seminar Gets Aid | 11/16/1955 | See Source »

...Manhattan for the first of four concerts, during a month's North American tour, the Philharmonia looked much like any other orchestra. When Salzburg-born Conductor Herbert von Karajan took it through the Star-Spangled Banner and God Save the Queen, it sounded much like any other, too. But in a Mozart Divertimento, it became something special...

Author: /time Magazine | Title: Music: Visiting Prodigy | 11/7/1955 | See Source »

...organizations on this list will be Phillips Brooks House Association, Red Feather, National Scholarship Service and Fund for Negro Students, Salzburg Seminar, and American Friends Service Committee. Strasser noted that these are the same six groups which the Combined Charities Committee selected last year...

Author: NO WRITER ATTRIBUTED | Title: Combined Charities to Hold Annual Drive October 24-28 | 10/14/1955 | See Source »

Boss of the mammoth project: Austrian Musicologist Bernard Paumgartner, 67, Mozart biographer, scholar, conductor and president of Salzburg's famed Mozarteum school. Shaggy, energetic Conductor Paumgartner first divided Mozart's total output into eight categories, selected works from each as representative of a special genre or period in Mozart's life. The big symphonies are being recorded by Amsterdam's splendid Concertgebouw Orchestra, smaller ones by Paumgartner's own Camerata Academica orchestra; concertos are assigned to Dutch artists, who may be excellent but are rarely the top Mozart specialists. Among Epic's U.S. releases...

Author: /time Magazine | Title: Music: Rough Year for Mozart | 9/5/1955 | See Source »

...Screams. Paumgartner himself has been a Salzburg institution for 40 years. In the 20's he teamed up with Max Reinhardt, Richard Strauss and Poet-Librettist Hugo von Hofmannsthal to start the Salzburg Festival. As recording boss Paumgartner showed his capacity for speed as well as scholarship, as he shuttled between his Mozarteum office and the huge reception hall of the 18th 'century Klessheim Castle, where he finds the acoustics ideal for recording. There, wearing black corduroys and sleeveless sweater, he leads his performers through six hours of recording daily. His energy is matched only by his resourcefulness...

Author: /time Magazine | Title: Music: Rough Year for Mozart | 9/5/1955 | See Source »

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