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Word: salzburgs (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...This summer, be nighted at a Tirolean inn, Yella Pessl met Karl Maendler. When he heard who Miss Pessl was, Herr Maendler vowed he would build her a famous harpsichord, set to work immediately on his return to Munich. Another summer's adventure occurred when she played at Salzburg for Austria's President Wilhelm Miklas and Chancellor Dr. Kurt Schuschnigg who pronounced Miss Pessl's Haydn concerto EntzÜckend. Last week Yella Pessl an nounced her present ambition to "shoot" New York's Mayor Fiorello LaGuardia with her minicamera...

Author: /time Magazine | Title: Music: Harpsichordist | 10/12/1936 | See Source »

Prime musical cause of Salzburg's 1936 prosperity is Conductor Arturo Toscanini, who snubbed Nazi Bayreuth in Salzburg's favor three seasons ago. When the Italian maestro, still hotly anti-Nazi, learned of plans to broadcast Salzburg events to Germany, he seethed & stormed, vowed to depart and never return if any performance under his baton was sent across the border. Last week while Salzburgers were hearing a familiar, first-rate Toscanini performance of Beethoven's Fidelio and a familiar, even better Toscanini version of Die Meistersinger, cafe talk was all of how the grey little conductor...

Author: /time Magazine | Title: Music: Salzburg's Season | 8/24/1936 | See Source »

...musical hero of Salzburg last week was Conductor Bruno Walter. This able Jew had arrived ailing from the effects of a Vienna performance of Tristan wud Isolde at which Nazi bullyboys threw stink bombs, ending the opera with the plump Isolde (Soprano Anny Konetzni) lying mute and gasping on Tristan's body while the orchestra wabbled through the Liebestod. To Walter at Salzburg was allotted Tristan, Mozart's Don Giovanni, Gluck's Orptmis and Eurydice...

Author: /time Magazine | Title: Music: Salzburg's Season | 8/24/1936 | See Source »

...podium, he had working with him no single artist so gifted as Toscanini's Soprano Lotte Lehmann. In the much-rehearsed Meister singer, Lehmann was a vital Eva. In Fidelio she was a dramatic, moving Leonore, even in that opera's static, old-fashioned stretches. Salzburg autograph collectors agreed with critics, pursued Soprano Lehmann in her Dirndl in the streets as often as they did Conductors Walter and Toscanini...

Author: /time Magazine | Title: Music: Salzburg's Season | 8/24/1936 | See Source »

Worst feature of the 1936 Salzburg season has been the rain which dampened Max Reinhardt's open-air performances of famed Jedermann ("Everyman") and Faust, in which appeared Paula Wessely, a charming German Gretchen...

Author: /time Magazine | Title: Music: Salzburg's Season | 8/24/1936 | See Source »

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