Word: salzburgs
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Gahagan. From Czechoslovakia came a despatch hailing Helen Gahagan, U. S. actress, as "outstanding American success of the Continental opera season." She had sung Tosca at Moravska-Ostrava well enough to be invited to perform in the Salzburg Festspiel, to sing Tosca, Thais and Manon at Bad Reichenhall and in Vienna. Miss Gahagan began taking her voice seriously only one year ago. On the U. S. stage ("Second Ethel Barrymore") she played in Manhattan (1922), Trelawney of the Wells, Young Woodley, The Enchanted April, The Sapphire Ring...
...proudly as it once held Brunnhilde's shield, Lilli Lehmann heard President Michael Hainisch confer on her the title of "Professor," listened as he rehearsed her glorious performances at the Vienna Opera in the days of the Empire, her efforts in behalf of the Mozart Festivals in Salzburg...
...radio a speech saying: "We crossed the frontier a few hours ago, but we do not feel ourselves in an alien land. We have the same tongue, the same Kultur, the same hopes. We will again come." Then the Zeppelin flew to Graz and returned home via Vienna and Salzburg, completing the trip in 13½-hrs. For the Graf Zeppelin's next trip, May 15, to New York, passenger fare was fixed at $1,200; postage for a letter, $1.05; for a postcard, 55?...
...include ballets and serenades by the Vienna Philharmonic under Franz Schalk and Clemens Krauss; a concert by a choir of 8,000 in front of the City Hall; operettas of Strauss, Suppé, and Offenbach; church concerts in Modling (near Vienna) featuring Beethoven's Missa Solemnis. The Salzburg Festival, August 4 to 30, calls in the assistance of the Vienna Philharmonic. Beethoven's Fidelia, Mozart's Don Giovanni and Strauss's Rosenkavalier are all listed for performances as well as orchestral and sacred concerts...
Mozart's Haffner Symphony was first - Haffner because it was written to oblige a wealthy burgomaster, so named, of Salzburg. Mozart wrote it in less than a fortnight, when he was 26. Toscanini himself lost 35 of his 61 years when he led it, gave it exceeding grace and innocence. Second was a manuscript performance of Respighi's Roman Festivals, music that would be perilously close to claptrap if done by any other. But Toscanini found something real and savage in all the din of the Circus Maximus episode. Lions roared. Christians sang their martyr songs. Part...